Felicia Day Quotes

Everyone talks about discovery, but I really believe that great content finds its audience.

When people are making the decision to put a piece of content online, they really do truly want to get it in front of the largest audience.

I think every content can reach its potential audience if placed rightfully.

The key thing is, always put the right content on the right network, on the right platform, make it great, and then figure out how to monetize it.

As a creator, I want my content to be where people can watch it.

I think we musicians are emissaries. Every time we go before the public, we're there to make converts. We can either be ugly and contemptuous in our behavior, which will turn people off, or else we can carry ourselves with dignity and pride.

I think Billy Ray has a lot of great stories up his sleeve. I've heard a lot of his plans for the show, should it go forward, and I think there's a lot in store for people, if it's given a chance.

You have to hold your audience in writing to the very end-much more than in talking, when people have to be polite and listen to you.

If people don't want to listen to you, what makes you think they want to hear from your sweater?

A lot of people will say, "what's Facebook's business model?" I always find that a kind of funny question. Our business model is out there, which is: we monetize largely through advertising and a little bit through the gift revenue, the virtual gifts we have on our site. I think those continue to be the most promising avenues going forward.

A lot of things that people think are risky, I don't think are risky. I don't get all that. I think what was really risky for network television was to let cable television to take the summers.

I love stories. When I tell a story, I try to think of people sitting around a crackling campfire.

I think a lot of people get into stand-up to be the center of attention, which is perfectly legitimate. But I think I got in there to be heard.

I think that it drives from an emotional connection with everybody that pulls you through all of those events, whether it's the events or what would be more the action, or I guess the visual effects side of it. So it always starts with me from - emotionally - 'Why do you care about the people who are going through what they're going through?' Because it takes a hell of a lot to put them through that. So you better care for them when they're doing it.

I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.

I’m not a scholar or a psychologist, so I don’t really think about why. But I do think about what it means to sing to and with people, to offer music to them, and to ask them to spend time with me.

I think seeing films should be interactive. I'd rather have people see a film that I'm in and either absolutely love it or absolutely hate it, than be like, "Oh, yeah, it was good." That's the worst!

I do think that it's always okay to show too little. People will still be interested. So why show too much?

Even when I lived in Chicago and I didn't have any family there, I would just go like I would be a guest and have dinner with a bunch of friends and do potluck or something. So I think that's it, just finding people that you love that love you and hang out with them.

For people starting public radio shows, one of the things you have to do is you have to talk every single public radio station into picking you up.

I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.

If you are an enemy to your own mind, other people have to become enemies too, sooner or later. Until you understand, until you can love the thoughts that appear in your mind, then you can love the rest of us. You work with the projector -the mind - not the projected world. I can't really love you until I question the mind that thinks it sees you outside itself . . .

All preaching should be as creative as we can make it. We've been entrusted with such a treasure. To have anywhere from 50 to 5000 people who give us 30 minutes of their time to hear whatever we want to say - I think they deserve all the creativity that we can give.

I think that if you, as a comedian, are trying to be in people's face, then you've got to come up with new stuff every year. We're in a mass consumption phase where people take things for granted and want things to be instant when these are not things that can be instant.

Whenever people have trouble public speaking, it's because they are just thinking about themselves.