Audience Retention Quotes

What I worry about the most is the competition for young eyeballs. We have so many other competing forms of media. I don't take any audience members for granted.

If people are given quality stuff to watch, they'll watch it.

When you have a great audience, you can just keep going and finding new things.

I think if you make good, interesting content with compelling story lines and good characters, people will tune into the web for as long as you want them to.

All we think about is how to keep the audience engaged, and normally we're big on plot because that's the easy way to do it.

I really focus on giving the viewers compelling television, and hope that more and more people watch.

I think it's hugely important to have a strong episode one; you can lose an audience so quickly now. You can't afford to take the attitude that you will use the first one as an introduction and save the high drama for later.

Rather than lose the public because television is here, wouldn't it be smart to adopt television as our instrument?

You have to hold your audience in writing to the very end-much more than in talking, when people have to be polite and listen to you.

I've developed an audience over the years and I don't want to loose them.

On the Internet, news is consumed a la carte. If someone shows up on the main page of a website and doesn't see anything of interest, they leave. This negatively impacts ad revenues. The solution on the Internet is to pack news websites full of things that will draw people in, regardless of whether they are news or not.

After 'Life Unexpected' ended, I wanted to do something that was completely different from Lux and that show. I wanted to be able to keep my fans, but not have them confused about who I was or what my character was.

I don't care if a reader hates one of my stories, just as long as he finishes the book.

People love music, they're always going to love music, it's our job to consistently push ourselves as artists to keep delivering stuff for people to stay engaged with.

There are several key pieces to keeping audiences engaged, and the evolution of that. One is a content-first strategy because you need to provide the best possible product, no matter what your brand is, it's got to be a great, incredible product first.

I was a wrestling fan long enough, and once in a while, I would get bored. I'd be on board with a superstar and love what he'd do. Then eventually, I would get bored with him. I don't want people to think that way of me, so I'm doing everything I can to make sure it doesn't happen.

You have to keep the audience glued by hook or crook.

When people look at the ratings and they're bad, I think people can get an idea of "Why would they even make the show?" And to a certain extent, original programming for any network is a loss leader to try to get you to keep the channel on your cable package.

Pacing has become more important than ever, largely because of other media. I've always tried to start my stories out with a bang, something that will hook their attention.

My job as a performer is to make sure that whatever happens in a performance lives in somebody else, that it's memorable... If you forget tomorrow what you heard yesterday, there's really not much point in you having been there - or me, for that matter.

Like everyone else, I don't want it to get too far away from the racing because as time progresses, we're trying to get new fans and still keep the old fans and we've still got to have the racing.

It's very difficult to know exactly what a major audience is going to respond to. 'We know they respond to certain personalities. That has been proven by the success of certain people in television who have gone from show to show and carried an audience with them. Apart from that, it's very hard to say what formula works.

If we don't reach out to make theatre affordable to the young generation, we will lose them all.

There's no longevity on YouTube. You have to keep pushing boundaries.

I think that was kind of always my goal: get people to come back and see a show twice and then see it a third time. And now I've got people who have been to 30, 40 shows.