In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.
One of the things I'm excited about is the observation that gamers are creators and creators are gamers too. We used to think of creators as workstation customers and think of gamers as consumers.
Given how few young people actually read the newspaper, it's a good thing they'll be reading a newspaper on a screen.
Definitely, something is happening out there in Internet world at any given moment, but the likelihood that it's something that can't wait until that evening for you to find out about it is very small.
I don't know what's going on with new media and digital stuff. It's all changing.
I'm interested in visual vocabulary, like Andy Warhol was interested in that vocabulary of advertisements and television and pop culture. I do a great deal of tropes. This past decade has seen a new term, "meme," which is exactly what I'm studying.
There will always be storytelling, whether it's on the big silver screen, or it's your television or your iPhone or whatever, people will keep on telling stories.
I am not one of the new media experts working all the time with my computers and the PowerPoints and things of that sort.
I love the place 'Clone Wars' has on Netflix; it's very accessible, and I think it's great.
Ebooks had to happen.
I don't watch television. I'm not a TV guy.
When you have a few billion people connected with screens, not voice... screens are important. You can transmit a thousand times more information.
We're seeing how the videos translate to the live shows and how the technology is really reaching kids.
I'm excited to launch 'Waveform,' which will explore everything from tech news and new products to the videos that surround them.
The increasing diversification of media ecosystems after decades of state control, along with new digital tools that allow for greater citizen engagement, have led to a dramatic reshaping of the dynamics between citizens, media, and government.
I am a YouTube artist.
When you think about it, media's the intersection of content and technology - it's all about storytelling, like photography and the camera.
I hardly ever watch the news... I love reading newspapers, but I know they're dying out.
I think that the Internet is going to effect the most profound change on the entertainment industries combined. And we're all gonna be tuning into the most popular Internet show in the world, which will be coming from some place in Des Moines. We're all gonna lose our jobs. We're all gonna be on the Internet trying to find an audience.
If you're using a computer as an artist and expressing your personal vision, I think your personal vision comes through.
The tablet is not mainstream. Reading off the screen is not mainstream.
It is fitting that yesteryear's swashbuckling newspaper reporter has turned into today's solemn young sobersides nursing a glass of watered white wine after a day of toiling over computer databases in a smoke-free, noise-free newsroom.
The digital explosion has been so explosive.
If you look at the history of how information flows, there was a time that newspapers were kind of in the place that Google and Facebook are now - how do we get more people to buy a copy? Then there was a shift in the early 20th century. They needed to do better, and readers and consumers demanded that of them.
We're living at a time where if you do a Google search for a 'show, review and network,' you'll get 'The New York Times' and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
