David Cross Quotes

The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.

When I do music videos, I like to do a take, then see how it looks, so I can correct it.

Don't worry about getting final cut, worry about making the best possible cut.

My first cut is always pretty similar to the final cut.

The video maker doesn't easily face a blank page. Because the videomaker can run it either any way, this way or the other way and erase it if they don't like it and so on.

My creative process is a bit manic at times, to be honest. I wake up Monday and Thursday stressed because I don't have a video. I usually - with the exception of maybe a handful of videos - wake up, write the video, shoot the video, edit the video, release the video all in the same day.

People go to YouTube to laugh, and as a YouTuber, your job is to figure out a niche and feed people what they want to see. Now that I know what kind of stuff people want to see, then I will keep going down that road and creating videos that are going to make people laugh.

I come up with the ideas for my videos, and I write the lyrics and choreograph them, and I direct them and tell everyone what to do and how I want them to sing the parts and do the tongue pops and eye rolls and stuff like that.

When you're in the editing room, the dangerous thing is that it becomes like telling a joke again and again and again. Eventually, the joke starts to not be funny. So you have to be careful that you're not throwing the baby out with the bath water.

I know the video platform so, so, so well. I know the perfect mixture of how comedic a piece has to be, what the video has to be like, what the song has to sound like, to make it successful.

I'm spending way too much time test running my Vine videos. I'll go into a room and close the door and be in there for an hour workshopping a Vine video that I never even post. So that's probably a huge time suck.

We set out to capture what was happening, and then we cut that into the series.

If you go on my Instagram, you're not going to see the same content you'll see on my YouTube. Instagram has become the new magazine. It's much more editorial and about perfect moments that are captured. Snapchats are funny, real moments that you want to share. On YouTube, it's more structured, more storytelling.

If people really, really like what we make, 10 minutes after we upload it, we start thinking about new videos.

With my own videos, I definitely have more control over what I want to put out there and what I want to say. With the TV show, I'm not the editor. There's always things that I wanted to put in there. My dad has the final say in everything on YouTube, but I can be more expressive.

I just liked making funny videos, content that people would enjoy. The likes and retweets - that was, like, a plus.

When we were first approached with the idea to do videos, we said why not. We used the things that we do in our lives in the videos.

I'm sitting there for hours editing the vids myself. But I have a PR company and a management company. I use some editors for some of the cooking videos because they can be so long.

Producing just one video is a long process. First, you decide your song, then you have to figure out the arrangement of the song; will you play it on the guitar? Will you make it a music video? Once you figure that out, you record it and then edit it, which can take two to five days to finish.

I always see the filming as basically going to the grocery store and buying a bunch of ingredients and that's about as far from having a dinner as you can possibly be. Then editing is the cooking, the preparation of the meal and if you don't edit it you've just got a pile of raw meat.

There's a film you write, there's a film you shoot, and there's a film that you cut - and they're all different.

Six Secrets to Being a Successful Humorist 1. Be scared, unhappy, and an outcast as a kid. 2. Drop out of high school. 3. Spend time alone. 4. Don't take a comedy course. 5. Read other humorists but don't worship them. 6. Don't get your hopes up.

Everything in comedy's got to be exactly right, which is why making a comedic film is kind of a difficult process, because, for most of the two years of shooting it and editing it and reshooting and all of that, it's not quite right. And it's only when you just at the end, you put the final polish on it, it becomes really funny again.

Whenever I'm not shooting, I'm in the editing room with my footage. While the crew is taking 15 minutes to an hour to set up the next shot, I'm behind the Avid, putting the flick together.

With every project I start out on, there's no footage. It's always a big slog to find the footage.