Video Editing Quotes

I think my own strengths are in television production.

In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.

I am a YouTube artist.

When you think about it, media's the intersection of content and technology - it's all about storytelling, like photography and the camera.

Nothing is cut while I'm shooting. I edit between nine months and a year, and usually have around 80 hours of footage I have to get down to an 82-minute movie.

Before long, I'll have my own channel - I'll be like Barney.

I really missed what I'd done on Rogers Cable, which was shooting and editing all my own stuff.

I've come across people referring to themselves as 'Vine famous.' Some of them started out by putting up Vines just for fun, then all of a sudden they get a bunch of fans, and a week later their Vines are totally different. They become obsessed with how their videos will be perceived.

When I first filmed things, they were always slightly awkward.

I was on the yearbook staff, so I would take out film cameras and Nikons and take photos around school and at sporting events and things like that. We had a darkroom as well. I just loved it. I also saved up for a video camera to video my friends and cut and paste the videos together and I gave them to all of my friends for graduation.

Things have to hit for the moment. That's one of the reasons I'm into video; the image has to hit immediately. I adore video and the whole cutting up of it.

You know, when I first started making online videos, there were a lot of filmmakers I befriended who were doing it too.

I don't like fast editing.

Same thing with film, by the time you've finished shooting and you've really been into everything, you've touched up everything in the editing room. You've gone in there and taken little bits from everything.

I've been working in television for a long time, and I know all aspects of television.

The big thing on the horizon for me is video. I feel like it's the closest thing to a perfect mix between music and design, because it has the motion and it has the dynamics of music, while at the same time having the aesthetic components of design. It's a nice mix.

I had great fun in the 'BroomCupboard,' learning the skills of live TV.

Don't worry about getting final cut, worry about making the best possible cut.

If you look at 'Blade Runner,' it's been cut sixteen ways from Sunday, and there are all kinds of different versions of it.

I've been doing visual stuff for as long as I've been making records; in fact, for longer.

I started a YouTube channel called Days of Dre. There's a lot of content on there.

My manager and fellow YouTuber, Mike Lamond, encouraged me to start a YouTube channel as a way to practice speaking, entertaining, and being more comfortable in front of a camera. In the beginning, I used an $80 dollar flip-camera and edited every episode myself.

When I was in the sixth form I presented a cable and satellite programme about music, television and video. I used to do public speaking competitions.

Your YouTube channel is your show. I think it's a wonderful platform for anyone who wants to have stronger creative control over their content, their message, their vision and their branding.

My parents had bought a video camera for us to film Christmases and other family events. I took it down to the beach, set up a tripod, and I would grab two other friends, and we'd take turns filming and surfing. Then, at the end of the day, I'd go home and I'd make a video for everybody to watch.