Content Management Quotes

It's just as valuable to curate content as it is to create it.

Celebrities have been using MySpace since the site's launch and it's a natural extension for us to now offer them an aggregated channel where they can be in control of their own image.

I think that's what most of us rappers do too often. We put too much information in some of our albums that could actually be on the next ones.

We're a content company. And if we create the best content, every distributor will want what we have.

But it seemed to me that as soon as you have computer storage you could put every point you wanted in - make the ones that are less relevant to your central topic, further away or allow the central topic to move as the reader proceeded.

Seriously, we are in the midst of the convergence of voice and data and that is challenging the infrastructure of the telephone companies. There are huge commercial interests in the basic technology, but even more so in content delivery and control of content.

I have a website because it's an interesting tool, very - and quite unexpectedly - useful for my work. It's become an archive and a fairly complete on-line portfolio, as well as offering an opportunity to write a little.

Curation is everything.

Your YouTube channel is your show. I think it's a wonderful platform for anyone who wants to have stronger creative control over their content, their message, their vision and their branding.

I don't look at social media, I have some people who look after it so whenever I want to post anything I send it to those guys so I don't have to look at the apps.

With YouTube - with the Internet in general - you have information overload. The people who don't necessarily get credit are the curators.

There was a time and a place when a pure content start-up had a chance, and that time has passed.

What we feel, especially in the streaming area, especially in the services area, is that you need curation.

Google can say they are not in the content business, but if they are paying people and distributing and archiving their work, it is getting harder to make that case.

Design cannot rescue failed content.

I never really enjoyed getting a portfolio together then sending it out; whereas, putting up the website is quite an enjoyable experience. The net's just a much faster and more modern way to distribute things, and you have to embrace it.

I can fix a bad page. I can't fix a blank page.

There's not a single business model, and there's not a single type of electronic content. There are really a lot of opportunities and a lot of options and we just have to discover all of them.

Digital platforms are worthless without content. They're shiny sacks with bells and whistles, but without content, they're empty sacks. It is not about pixels versus print. It is not about how you're reading. It is about what you're reading.

For most of the '90s and the first part of this decade, content providers who wanted to publish online only needed to worry about the graphical web browser.

At the end of the day I'm pleased with the site I created.

The Internet will make every enterprise a publisher.

Publishing isn't a job anymore. It's a button.

Editors must control broadcasts to prevent information, even accurate, from damaging or alarming the population by its form, presentation or timing.

I always believed in curating content, and the only way to do in our country is by turning producer. So then, I thought, lets turn producer and see how it goes.