Jay Penske Quotes

I've been told that having an Instagram account will help me book more roles, get more endorsement deals. It makes you more of a brand. But I'm not interested. I want to build my fan base through movies and movies alone.

I make sure to use both Twitter and Facebook a lot which helps me connect to the fans.

The social networking sites are such good way to keep in touch with your fans, it's quick and simple and it keeps your fans interested in what you're doing.

I hope that all new filmmakers see that the Internet and social media are helpful tools in establishing a fan base as well as being able to interact with your fans.

When I realized I could use Facebook as a way to communicate directly with my fans, I thought it would be a great idea.

The minute you forget who your fan-base is, that's the minute everything falls out from under you.

It doesn't matter what we post about ourselves on social networks or how many times we play live TV, even. It's all about those people, those fans who are telling other people about us.

You know what's dope about social media, the Internet, and stuff in general? It's that you never really realized before how much love you get, and now you can see people around the country wearing your stuff or wearing your face.

Engaging with my fans has helped me grow to more than 3 million followers.

Social media and digital media will help us develop new fans and connect with our existing fans. It is an area we had to have our entire fingerprints on.

I think that the web and its various facets are incredibly useful in just building a fan base and getting your chops better.

The bigger fan base you have, the more companies will be attracted to you. And having a following, you can be so much more involved being a representative with the brand you're working with.

We have an amazing fan base all around the world that love 40FT.

I'm actually on the Twitter like all those crazy young kids are, and if I'm going to do an in-store appearance or I post something on my website, I tweet these followers, a word I don't like so much, and over 50,000 people go, like, 'Okay, I got it.'

I don't have a massive fan base. I don't have Patton Oswalt numbers, but the fan base I have is incredibly generous, and of the 22,000 people who follow me on Twitter, I think almost all of those people participate.

The good thing about Twitter is that there's not so much of a wall between you and your fan base. They can interact with you, and it makes them more endeared to you when you interact with them. It's really fun in that way.

The reason I was able to grow my business was that every day, after producing 30 minutes of wine television, I spent 15 hours a day replying to every single person's e-mail and every single person's Twitter @ reply.

It's extremely important to have a loyal fan base and be receptive to them.

The most important thing a magazine can do online is maintain its brand and be very strong in terms of delivering on that brand.

My view is that, just as in many businesses, brands really matter. There will always be a role for destination sites. Eighty million users come to our destination. I think that will be the vast majority of our future business.

I absolutely love my fans, and I get to chat to them a lot on Twitter, and that's why I think Twitter is really great. They call themselves 'The Sprouts' and they are really, really wonderful, so passionate, and they make me smile.

Kim was the one who taught us how to use Twitter and how to engage and really capture the attention of followers and the fans.

I had maybe 200 followers when I started. A bunch of radio stations were like, 'Uhhhhhh, my daughter has more followers than her'.

I've been doing this since 2011, when I started on Instagram. Building my presence on there was important to my brand, but I wanted to take my audience to other platforms, so I then crossed over to Twitter second, then YouTube third. It wasn't until I made my fourth crossover to a different platform that I went to Vine.

I think at first the Flume project really started out as an online thing. I used Facebook and SoundCloud, and I think we got lucky because it felt like a bit of a golden age of those social media platforms. So I managed to create quite a solid fan base online.