Gabriel Iglesias Quotes

If I was at the Comedy Cellar at midnight you yelled at the back of the room. But you, for television, play it to the camera because yes you're communicating to the people at home using the studio audience that's right in front of you as a guide for that.

Bill Cosby was the first comedian I was exposed to, because he doesn't curse.

Some comedians tell nice jokes that you can tell to your kids. Some use bad words - they work 'blue.' If you don't want to hear a joke that's blue, you shouldn't go to a comedy club where a comedian who makes blue jokes is performing.

My stand-up is clean; it's not too edgy. I've played it safe since the beginning.

In all my content I don't really swear or use profanity, because I believe comedy can just be pure.

I'd have to do unannounced gigs because your fans will laugh at everything because they know what you do already. What you really want is a neutral audience that isn't too harsh - a good comedy crowd - but that don't know necessarily what you're doing.

I've been in theaters. Like Brian Regan, who I love - loved him so much more when he did the Improvs. And then in a big theater - nobody's that good.

On Friday night, it was fun [to know] that if you bombed, or whatever was going on, that you'd be on TV at 11. It was a cool feeling, and you'd get a couple hundred dollars.

I'm glad that that era of stand-up is over, because I think it adversely affected a lot of people who could have been really, really great comedians. Because they unconsciously or subconsciously stifled their wild impulses, and were thinking about the five clean minutes for The Tonight Show, or the 20-minute sitcom pitch as a stand-up act.

You could write a joke in the pub at lunchtime and watch it performed on television that evening.

If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.

Standup is more me talking the entire time. There's definitely an exchange of energy because that room, that audience, is giving back.

I am a guy who talks about bacon and escalators. Stand-up comedy is very much a conversation. It's very personal, stylistically.

I like people who can make you laugh without using vulgarity, or bad words.

I did one of the worst shows for that kind of thing in Northampton, Massachusetts, which is one of the most liberal spots on the planet. There were numerous people who walked out, somebody had thrown a beer, I had people yelling and screaming.

I do think that stand-up comedy in general heavily favors masculinity and so I like to act a little feminine onstage.

I don't want to be a TV star for the sake of being on TV. I want to have a TV show that's based around my comedy.

I'm like the Hulk on stage. It's way over the top. That's Bizarro Chris. Sometimes I get off stage and go What did I say?! I'll watch one of my stand-up specials a year later and go Eww, that was mean.

It was so much fun to have my very first TV (performance) be the holy grail of comedy, in my opinion. I was the guy from CHiPs and then I was Grizzly Adams. It was hysterical. We got to make out. It was really crazy, fun television.

I did get good enough to get on HBO's Young Comedians Special, but I certainly wasn't the person who got launched off of HBO's Young Comedians Special. That would be Ray Romano that year. I had some semi-intelligent jokes, but when people would see me, they would think, "Oh, that's a good writer." No one would ever have said, "Oh, that's a good performer."

If I could make the same amount of money doing standup it would be no contest. The problem is that if you do make that kind of money doing standup, it's not in clubs, it's in big auditoriums and large venues, and I really think something is lost when you do standup for a big crowd.

Todd Glass has amazing energy on stage. Dave Attell is one of my favorites because he's a one liner comic who is always incredibly in the moment with the audience. As for newer people, I think Adrienne Iapalucci writes some great, dark jokes and Sean Patton has a hilarious voice on stage.

The whole thing with comedy is that you are always in control. Writer, director, actor, producer, and sometimes bouncer. And you are just a piece of their puzzle.

You saw a lot of guys, especially in the early '90s, whose acts were a pitch for a sitcom. A lot of them were very funny, but there's nothing worse than watching comedians or musicians who are up there and are doing something they're not interested in.

I get to do stand-up every single day. I love that live energy exchange between the audience and myself, and to get to say the things I want to say and comment on.