On TV, if you fluff your lines, nobody gives a toss. But if you fluff a penalty in the World Cup, well - we all know how much that matters.
I know people always say to get out of your comfort zone and take risks, but when you are on a live national television show, and you are competing to stay on it, then I don't think you should be uncomfortable up there. I think you should sell it and be your own best self.
I never thought I would do a TV show, I never thought I could do it, so I was not expecting a really good performance. It was more about building confidence, and good or bad, I was encouraging other people and pushing myself.
Being on 'Dancing with the Stars' is an amazing opportunity. I consider myself lucky to be a part of the show and to be able to share my passion and love of dance with such a huge audience while managing to train a few celebrities in ballroom dance along the way.
When I'm angry on TV, I'm actually not. I'm manipulating you as an owner.
I flew home to Pittsburgh, and my management called me to ask if I wanted to perform on 'Dancing With the Stars' with Charlie Puth. I'm like, 'What? I grew up watching the show!'
I wanna get on TV and just let loose. But can't, but it's cool for Tom Green to hump a dead moose.
In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.
To be perfect for television is all a President has to be these days.
Ronald Reagan was then very successful in politics and a master of television.
I think the show does better with newsmakers and politicians than it does with actors.
It's fun to deliver material on live TV because it's more off-the-cuff, but I like writing better. You really can measure the joke, think an extra second and nail the right reference.
I don't have a good memory, so learning all the songs for my TV performances was a real challenge.
I did 'Showtime at the Apollo' when I was 10, and it was the first time that I'd ever performed on TV, and it felt great.
But I'm still a work in progress. My mother calls me quite frequently with various critiques of my performance on TV and other public events. She's usually pretty severe with her comments.
It's actually harder than it looks to be a good pundit on the air. You've got to have stuff to say.
On Friday night, it was fun [to know] that if you bombed, or whatever was going on, that you'd be on TV at 11. It was a cool feeling, and you'd get a couple hundred dollars.
On a television show, precise acting isn't the order of the day.
When I play under bright lights on TV, the reflection off the dart barrel could be distracting. It's not high-tech stuff but I use the flame from the gas cooker at home to blacken the metal and dull them.
When I did "Top of the Pops" for the first time, Ace of Base was one of the other bands, and I have a memory of them on a small stage next to me in the TV studio. A memory of their performance is burned into my mind. Seared.
Kathy Burke has been a real inspiration. I think she's brilliant. I like the fact she doesn't care what she looks like on TV and just gets really into character. Obviously, she can do drama as well, but it's her comedy I love.
I will never forget when we won No. 1 on a TV music show for 'Cheer Up.' It was one of our group goals. We put in a lot of hard work in that song, and felt accomplished and were very moved.
I saw a concert with Nena singing '99 Red Balloons' on TV and I said, 'I will also go onstage and sing.'
I'm not playing a fixed character on 'Comedy Nights Live;' in fact I would be seen portraying various characters.
I played the best role I've ever seen on TV or film in the last five years. It was hugely gratifying.
One thing I've learned from 'Strictly' is timing and the craft of the talk.