Jimmy O. Yang Quotes

I have played Polynesian. I have played an Arabian girl. I played an East Indian girl. And what was so confusing about that, which I mention in my book, is that I assumed I had to have an accent. Nobody said anything, so I made up what I call the universal ethnic accent, and they all sounded alike. It didn't matter who I was playing.

The girls in 'Downton Abbey' do what they do so well, which is make it so natural despite the fact that you're living within these constraints and taking so much from the research aspect of it.

Every time a director calls me and says, 'If you practice a lot in two months, can you be an American?' And I always tell them, 'Well, maybe but I'm French. So it's going to be hard to be someone else.'

Before 9/11, I was playing a wide range of characters. I would play a lover, a cop, a father. As long as I could create the illusion of the character, the part was given to me. But after 9/11, something changed. We became the villains, the bad guys. I don't mind to play the bad guy as long as the bad guy has a base.

I have minor characters who are Asian-American, and I've been using them throughout my career, but they've never taken center stage, they've never been really powerful, they've never expressed some of the experiences I had growing up in the U.S. Johnny Tam is the first one.

Weirdly, when I'm playing an English person, I feel like I've got nothing to hang on to, and it feels a bit strange and exposing.

I played a Spaniard. I looked about as Spanish as any other fair-skinned German.

If I have to pretend to be anything else than French, then I know it's work for me. It's not that it scares me, but it's work. I cannot just pop up on the set and say 'Okay, today I'm Italian!'

I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.

The best way to honor real people when you play them is to try to tell the story of their dynamics and the struggles that they're dealing with rather than lose sight of the connections and personal relationships, and do a really good job at an accent.

I'm just trying to play against ethnicity. I got to play a guy from Louisiana in 'The Pacific' named Merriell Shelton, and now I'm playing Elliot Alderman.

I feel respect is in your hands as an actor when portraying a character, particularly when it's from the Indian subcontinent. I do make a conscious effort to do so and often talk to the directors especially about the heavy accent when it's not needed.

As long as I'm making something from my voice, from my perspective there will be Asian American content because I am the storyteller.

You cannot act a color. Do not tell me I'm acting black, because I'm not. I'm acting whatever you want to call it - urban. I don't even have a name for it. I just call it 'me.'

While people loved me in Tashan-E-Ishq,' there were some who felt that since I am a Punjabi, I managed to get it right. The actor in me was really offended. So I took up Dil Se Dil Tak,' as I had to play a Gujarati girl in it.

I think Hollywood makes the mistake of mixing all these identities and cultures, mostly from the Middle East.

My parents speak with an accent. A lot of people that I know speak with an accent. I have friends who speak with an accent. Accents in a vacuum aren't a problem; it's how you portray those characters and how well they're served in a script.

Truly great performers reveal not only their characters but bring everything they know about the world with them. It's not just what's in the script but the story of everything you've done and of who you are. If you're Chaplin, you're the immigrant. No matter what he's doing, he's always the little guy trying to make his place in the world.

I've done bit parts on shows where I've been the fat girl or the punk rocker.

I don't want to be an English actor doing the greatest American accent you've ever heard. I want to be an American doing nothing.

I find it terribly distracting in movies when people do accents, I must say, unless it's terribly serious and the story is rooted in South Africa and you're doing a South African accent. But in period movies I think nothing can be more distracting than people doing accents.

The other thing - and writers can say whatever they want - is casting. You need to find a person who can inhabit that role, who can not sugarcoat the bad stuff, and not be too hard on the good stuff, but who can come across as a three-dimensional human being with some depth and some thought about what they're doing. When you find James Gandolfini or Jon Hamm, someone who can inhabit this role but still has a natural humanity to them, no matter what they're doing? It's a gift.

I've been given lots of great advice, in my life. As an actor, just being as honest and as present as you can be.

I have learned never to judge any of the characters that I portay. Sometimes that is difficult to do because as a human being we tend to make judgements when we find out information about people and situations. In order to bring a character to life, though, I find that I cannot judge her or I won't be true to her.

I realized that I was a really, really terrible actor. I was like, "I'd better be myself."