Rodney Dangerfield Quotes

I do comedy shows. I make fun of myself, first of all.

I just do my act. If people in England don't get my joke I make fun of myself for telling it.

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.

If I was at the Comedy Cellar at midnight you yelled at the back of the room. But you, for television, play it to the camera because yes you're communicating to the people at home using the studio audience that's right in front of you as a guide for that.

When I did comedy I made fun of myself. If there was a buffoon, I played the buffoon. And people looked at me and said, "Gee, that's like Uncle David", or "That's like a friend of mine.". And they related through that. I didn't make fun of them. I made fun of me.

It's hard to get laughs when you're new.

To this day, to this very day, except for television, I've never had a writer. Anything I've ever done on the stage, happened on the stage and I developed it from there. It started doing impressions and jokes - which I did very poorly. To this day I can't tell a joke. That sounds nuts, but it's true. I exaggerate it and it becomes a joke. Everything I've ever done I've done out on the stage and it became a performance over many many years.

I've never been able to tell jokes. In the beginning of my career I did impressions and jokes like any other comedian, but I was never very successful because I did it poorly. So I started to talk to the audience and started talking about the atmosphere around me and started to become angry, not in a mean-spirited way, but in a fun way - and my attitude developed from there.

I remember I used to go to The Laugh Factory and just goof off onstage, and then I'd see Dane Cook. He did a bit about his Mom making the bed in the summertime when he was a kid. He just said "Vroom!" and threw the sheet up in the air and the sheet would just stay over the bed for like a minute and a half. All he had were his arms out, but I could see the sheet. And he didn't do anything. He just kept it there. And I went, "I have to write more."

Speaking for myself, I try to go out there on the stage and make jokes with people, so I'm not really thinking about the impact anything I have. If it does resonate with people, that's really great.

I never could tell a joke. I just started talking to the audience, and when the drunks would yell, "Hey, when do the broads come on?" I got good at saying, "Relax. Clear your skin up first." They called me "the insult guy," but it's never mean-spirited. I'm just exaggerating everything about us and about life.

Most of my comedy writing happens through improvisation on stage; doing it in the moment. Going up with an idea and fleshing it out over time on stage and in front of people until it becomes a full bit.

In comedy you feel you need to go back to the theatre every now and again, you feel you need to go back to an audience every now and again to see if you're still getting your craft right, making people laugh at the moments you think they should and that sort of thing.

Jerry Seinfeld, he was doing Letterman show all the time, so he kind of had an excuse, that people know the jokes already. He didn't have time to do stand-up. A guy like me, I have no excuses.

When I'm doing stand-up, it's just me depending on me. I know how to go out there and make people laugh. I've been doing it since I was a teenager. I trust my instincts. I just go out and talk. A lot of the time I let the material come from the top of my head.

Now people are coming up to meet me at my shows and they're doing my bits! One guy earlier was at 7-11 and he comes up to me and goes "you want a falcon?".

When someone says to me, do you do stand-up I say absolutely not. I like to think of it as a theatrical performance. With me the show changes maybe five to ten percent every night. Of course, whatever I see in front of me and sometimes I get on a little run about it and it changes the show. And my delivery is such that people who have seen me many times say Gee, I never heard that before. Actually, they have, but I might have changed it around.

I have a funny sense of humor. If I was a comedian and I was up on stage, people would think that's funny, because I'm a funny comedian. I'm an entertainer.

Аs long as I've got an audience out there to play for, I'm going to continue to play. I have at least enough people that I can go out on the road for 10, 11 weeks at a time.

I started out in stand-up, so it's very satisfying to make people laugh, but it usually means at your own expense.

Granted, not really a joke, but how often do you get a mic in your hand? You know? So. I am sorry but don't anybody trip on my soap box on the way out. Don't anybody trip over that. And the chip on my shoulder's a little heavy. I have back problems now.

I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.

I really will never understand pushing back on comedians who are like, "I'm like a politician campaigning and shaking hands with these people. They're going to be okay."

I think, as a comedian, the funniest you can be is with people you know, and [whom] you've known for years, in a pub. That's as funny as you get, and so the aim [while stand-up] is to get that funny on stage with 5,000 strangers, to get that funny in a room where people shouldn't be listening but they are.

Now, I think the people who are still doing stand-up are doing it because they love stand-up.