Tim Sweeney Quotes

At Epic, we succeed when developers succeed.

We tend to think of Steam as tools for content developers and tools for producers. We're just always thinking: how do we want to make content developers' lives better and users' lives a lot better? With Big Picture Mode, we're trying to answer the question: 'How can we maximize a content developers' investment?'

I actually think Facebook made it their business to be close with all of the app developers. They couldn't have done more.

Roblox is free. The dev tools are free. Anyone can come in and play with Roblox Studio and make a game and push it to our cloud and have it be playable.

When we shipped 'Borderlands 2,' we didn't ship it with a plan of how the level cap was going to increase. We didn't have any software built or strategy in place.

I'm exploring this world of game development and GPU and getting involved in any capacity that I can to meet talented artists and programmers and developers. That's what you're gonna need to get a high-end experience done.

Being on Epic, it wasn't like we got signed to a multi-million-dollar deal.

Roblox gives builders the tools and freedom to put their imaginations into action.

Unreal has to be an engine for everyone who wants to build a major game.

We want to be this platform, where just like building things in the real world, players can participate in a wide range of ways.

Bringing Roblox to Xbox is a huge leap forward in our mission to unite and inspire the creators, dreamers and explorers of the next generation.

I wonder if too frequently publishers and developers are so caught up with going after new, untapped audiences that they can forget to care for the largest, most loyal and reliable audience there is - the current gamer.

One of the things that we really like about 'Fallout 76' is that we've built it so that we can support it on a month-to-month and week-to-week basis.

We're excited to bring the expansive world of Roblox to Android users around the world.

Steam is about creating tools for content creators and customers.

There's so many characters they [studios] are not letting me play. And I thought, "Why don't you just go produce it yourself?".

Any time I consider a new project, I ask myself, is this pushing the state of gaming toward Nobel Prizes? If it's not, then it's not doing anything important enough to spend my time.

It's easy for people to come in when they think you're in a hot moment of your life, but it's really nice also for people who believe in your work for the long term and are there not when something hip's happening at that moment.

They are very good reasons why voice acting in games can be so terrible. Writers are in a great position to be able to bridge this gap.

I grew up on Nintendo. Mario was my best friend. I can't wait to get inside and play Nintendo GameCube.

I always say this will be my last Metal Gear, but the games in the series that I've personally designed and produced-Metal Gear on MSX, MG2, MGS1, 2, 3, 4, Peace Walker and now MGSV-are what constitute a single Metal Gear Saga. With MGSV, I'm finally closing the loop on that saga.

It is a game before a product, a sport before a market, a show before a business.

It's taken years for people to figure out how to make good content with a gamepad, even though they've been using gamepads for decades to make traditional games.

The number one thing is creating this world ["Trolls" ] - what the world is going to look like, feel like and what technology will we need to use to get there.

In my opinion, no young player can develop his or her game to its highest potential if he or she rides around the course in a golf cart.