Hideo Kojima Quotes

I've also been busy doing stuff for Steve Jackson Games.

There are several cool cross-overs between 'Blue Shift,' 'Opposing Force' and 'Half-Life.' The plots are all designed to work nicely with themselves and the observant player will catch many cross-references.

I'm considering 'Dark Souls 3' to be the big closure on the series. That's not just limited to me, but From Software and myself together want to aggressively make new things in the future.

Game creation keeps on expanding, just like the Universe. That is why I keep making games

Even if it's a sequel, lots of people have to give their all to make a game, but some people think the sequel process happens naturally.

Game design isn’t just a technological craft. It’s a twenty-first-century way of thinking and leading.

My name is Reggie. I'm about kicking ass, I'm about taking names, and we're about making games.

Games are another place to find work, not only the voice stuff but in the motion capture stuff. It's exciting work.

If I had done a sequel to 'Day of the Tentacle,' there probably wouldn't have been a 'Full Throttle.' If I did a 'Full Throttle' sequel, there wouldn't have been a 'Grim Fandango.' It's important to make new stuff up.

I have been wildly enthused about gaming since I was younger, and a career path I chose not to go down but did really consider was getting into programming and game design.

'Syndicate' is technically the first game I worked on.

Looking back, video game design seems a natural fit, although there was no such thing when I was growing up. I built a Tic-Tac-Toe playing machine in my teens which went up in smoke on the night it was scheduled to go to a science fair.

I'm a big gamer. I know the lead time and how long it takes to develop a game and how hard it is to get it right.

I've always said - I've been making games for twenty years, and from the first day I got in this business, I've been saying, 'All I have to do is sell one more copy than I have to, to get somebody to fund my next one.'

By the new year of 1994, it had grown up into Inform 4 and could produce games twice as large.

Our developers will make great games for whatever high-end platforms exist.

It was, like, two mobile games I released. They did pretty well, and after I made those two games, I was like, 'Man, I want to make another game, but I want to make this game for PlayStation and Xbox and PC.' I was like, 'You know what? Forget making the video game for Xbox, PlayStation and PC. How about I make my own console?'

I'd been playing everything and decided that this was something I maybe wanted to make a career out of. I knew where some companies were, but I saw the name 'Bethesda, Maryland' on 'Wayne Gretzky Hockey 3.'

God of War' was a 40-60 person team. It was a lot of very different, very passionate, very crazy people.

We have a whole industry which is gigantic: games. Games is very successful. It's its own art form, though, and it's not the same as a linear narrative.

For 'Nier: Automata', I wasn't told to target anyone. I just made what I wanted to, and I tried to stay hidden from Square Enix as much as possible.

I think the journey of making a game... we want to enjoy that process.

'Dark Souls' is my life's work; everything I came up with for 'Dark Souls III' is based on my personal preferences.

Game development is very difficult. Nobody sets out to create a game that's not fun. It's all of the challenges and difficulties that happen throughout development that determine whether a game is a failure or a success. I think playing those thousands of games is the single best and easiest way to learn from my predecessors.

It's true that I'm sad about not being involved in the development of 'Dark Souls II,' because I've worked on 'Demon's Souls' and 'Dark Souls'' development for the past five years.