WHITNEY CUMMINGS

There was a time in L.A. when I drove to 7-Eleven to go grocery shopping, and I locked my keys in my car, which wasn't insured. My wallet was in there, and I couldn't call AAA, because I only had $7 in my bank account. It was one of those moments where I was like, 'O.K., I literally have nothing right now.'

I guess the verdict is in - I am not a sociopath. It's not effective or productive not to be nice. It would undermine the goals I want to achieve on any given day.

I remember my agent at ICM at the beginning of my career telling me that I wasn't pretty enough, that I was always going to be a quirky sidekick. And he was an ogre of a man. He should have been carrying a torch. If he was in a bar, he couldn't have come near me, and then he was deciding my fate.

Saying women aren't funny is now like saying Asians can't drive or saying black people have bad credit. It's just really, like, so obsolete.

I don't think that women necessarily always write like women. I was a writer on the 'Comedy Central Roasts' for a while, and I always wrote the jokes that people assumed the men would write.

I feel like, in a lot of shows where the woman is in charge, the woman is this ball buster and the guy is sort of weak and spineless. And that's never been my experience in a relationship. I think it's much more interesting that the guy is the boss. And there are stakes.

I think that we're in a really amazing time, where there are really a lot of really fantastic female actresses and comedians. I imagine there's just a lot of opportunity for women to have powerful roles. Or it's just that there's more women writing TV. Women tend to maybe write strong women.

I'm the one who's dating the craft-service guy instead of the producer. Plus, if a producer is going to date a hot young thing, I'm probably not the first person on their list - the weird, quirky, funny girl.

I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.

I don't want to look at myself - ever. All I see is that my face is a problem. It's asymmetrical. I get terrible bags under my eyes.

I did some pretty embarrassing modeling, like catalogs and QVC. I know there's probably a stereotype where all pretty girls think they're unattractive, but modeling is the worst thing for your self-esteem, because you're never pretty enough, you're never thin enough.

After school, I'd wait for someone to pick me up and no one would, so I'd be like, 'I guess I'll walk home.' I had to be a hustler, because nobody did anything for me.

I am excited to show people how, when you get older, you get deeper, you get more raw, you get more honest, and you stop pretending to be the person you think people want you to be. I stopped worrying about what people wanted me to say and just sort of dug deep into my personal arsenal of my mistakes and shameful thoughts.

Being known doesn't get you anywhere; it just makes the bar and the expectations higher, especially if the venue wants to charge a certain ticket price because you're known. So people are like, 'I paid $60 to see you, and you're on TV'.

I have a theory, which is that the idea of a roast is to go to this forbidden, uncomfortable, almost performance-art-level shock place, but because we're so regularly shocked and offended today, the idea of an hour and a half of unbridled negativity is just so unappealing.

Stand-up. It's the only place I'm comfortable.

Comedians are obsessed with justice and the truth.

I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.

Being on the plane is my catch-up time. I write thank-you notes. I read. I write stand-up jokes.

One of the big conversations I'm trying to have onstage right now is that to be pro-woman, you don't have to be anti-man. Saying all men suck makes you look like an idiot. And it's not helpful.

For writing stand-up, I have to have a little bit of anger and frustration to be motivated to do it. Stand-up, for me, comes from kind of a hostile engine.

I wasn't one of those kids who stole Richard Pryor records. I wasn't a comedy-nerd kid. I had no concept of stand-up. Actually, the only inkling of stand-up I had was I read one of Paul Reiser's books when I was, like, 12. I found it at a yard sale, and I carried it around with me for six years.

I'd love to be Katherine Heigl's best friend in a movie!

We're socially constructed to hide our flaws, and that breeds pain for a lot of people.

The most dangerous place I've ever performed standup is in my home state of California.