Brand Collaborations Quotes

Modeling for a year taught me a lot. I got very involved in the fashion industry and met a bunch of people who I admired.

A lot of my work is about developing relationships with corporate partners such as Jaguar and Diageo.

I would like to work with brands I personally love, like Haider Ackermann, Chanel, or Off-White, to even newer brands like Rhude and A-Cold-Wall. It's easier and more organic when you know and love the brand already.

I like being a consumer. I'll do collabs with brands I like, only because I would like something free to wear. But I don't want people to dress like me, which is what you're asking when you create a brand. The fashion industry's just a super-duper headache.

A fashion photographer is nothing without clothes and hair and makeup. And when I speak to other photographers, a lot of them can't reference a picture by the designer. Me, I say, 'The Balenciaga.' And I go to the shows. I feel like it's my business.

I enjoyed working as a model a lot as it let me travel and I got to do some really interesting projects.

Every sponsor I've had has been something that fit my lifestyle, fit my personality.

You just have to be clever about who you work with. Had I done Gap or H&M, there's no way Louis Vuitton would have wanted to work with me. So you hold out for the big ones.

Here in America, the big-brand collaborations kind of signify how far you've gotten. So in that sense, it's a giant kudos to us that we, within the first year, get to be the first ones to be the launchers of this Pepsi Sound Drop.

Fashion has a long interest in collaborative situations.

I've been modeling since 2012, when I was 18, so I am used to following a crazy schedule.

Fashion, in a way, has become like pop culture today. With all of the communications and the Internet and the designers doing lines with big brands, it's more popular than it's ever been, but everything is all mixed together. It's become like television or music.

A few brands have asked me to design shorts for them. I'm not sure about that. I don't want to have them as a mass product, and suddenly everybody is walking around in them.

What I find relatively funny is that I'm not a model. I'm five foot six and a half; I have absolutely no dream or desire to be a model, I don't live for fashion. But when an opportunity comes your way very early in your career, like Burberry, you do it.

We're in conversations with brands worldwide for a variety of artists every day.

I made publicity contracts with Nike, several broadcasting companies and airline companies within Australia.

I love working with sponsors.

My whole life has changed so much, and it's still constantly changing, but 'Moonlight' brought about a bunch of opportunities that were really surreal, from the Oscars and Golden Globes to the notoriety that it brought, to even doing things like working with Calvin Klein.

I've seen many of those brand collaborations where, basically, the only point is sticking on a Gucci sticker. That degrades good brands.

I love doing these little collaborations. We collaborate with Stubbs & Wooton on the shoes for Michael Bastian.

I started my account to post pictures of client makeup I did to get more gals during prom season. I never in a million years would've expected to be where I am today, or even working with CoverGirl.

I think a lot of what I wanted to do in 2014 was build a repertoire or a portfolio for what I can do with traditional celebrities or with brands or whatever. Maybe 2015 is the year I start reaching out to people I always dreamed to do stuff with.

YouTube is growing up, is basically my view of it. Growing up means our creators are growing up; they're getting more well known. We're providing programs for them to generate more revenue so they can generate even better, high-quality shows, and then also connecting them with the advertisers.

I refuse to promote anything on Instagram for money and I'm aware that I have to be careful about saying yes to anything.

I'm really not for famous people who design a line for a company, when you know it's not really them creating it but a team of designers, especially when there are so many talented people who've taken the time to go and study fashion.