Felicia Day Quotes

You basically do have a TV show when you're making stuff online. You have an audience that you make stuff for regularly.

I can't wait to bring #LizaOnDemand to my YouTube audience and hopefully a new audience, too.

It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?

People are willing to support and watch web series as a legitimate form of entertainment.

It would be ridiculous to ignore the speed and possibilities of the digital landscape - you absolutely need to have fast-moving news online, but if you want to build a large audience over time, you absolutely have to take a risk on the big challenging stuff.

I never thought I'd have a career because of YouTube.

There's a new success model, and us and some of our peers are now starting to prove that TV and very traditional content also works on the Internet, specifically on YouTube, and it can rival television audiences and television production value. 'MyMusic' is proof of that, having a successful run and now coming back for a second season.

I think if you make good, interesting content with compelling story lines and good characters, people will tune into the web for as long as you want them to.

When we started out doing YouTube videos, I think we were very, very early on in terms of people doing a behind-the-scenes component.

I think that the instinct that people have when they see a beautifully produced web series is that they think it must have been made for television and they just chopped it up and put it online.

I think what working in a short film online is that the response from the audience is immediate whether your short film or web-series works or not, it is immediate. You can see comments and you can also see how many people have viewed it.

I want to get in on how the media business is changing, how people are telling stories in new ways.

Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she's the queen of the web.

Winelibrary.tv was about building personal brand equity. It was a business move. Now, it was totally surrounded by a passion for wine, but I very much gave a lot of thought to doing a sports-video blog instead.

I ain't gonna work on YouTube's farm no more.

You don't need 30 million people to listen to your podcast. If 10,000 people listen to your podcast, which is not a hard number to achieve, then 10,000 people are listening, and you can build a community, and literally change the world just recording into a microphone.

One thing I'm working on is an episodic web series titled 'One Warm Night.' It's a kinda crazy, quirky series, filled with a lot of misfits, oddballs... ninjas.

On the Web you have to sum up what your piece of content is in one link or nobody is going to watch it. That's the same thing I've been hearing from TV executives - is we need a program that you can have on the side of a bus and someone can watch it go by and get what the show is and want to watch it.

'Content is King,' and with more screens needing entertaining content now than at any time in history, that statement is truer than ever.

Katalyst is a merger of three industries. A piece of us is connected to ad agencies. Because we get the complex overlay of the social Web, we know how to engage an audience and how to make entertainment for the social Web. And we know how to gain and activate and retain an audience. So we create social networks for brands.

Everything seems set up for success in digital journalism - money, eyeballs, software, brands.

BBC3 even started their biggest shows, like Jack Whitehall's 'Bad Education,' they premiered on the iPlayer a week before it went on TV. I think it should always be at the forefront of what is fresh and exciting, and therefore it should be the first channel to exist online.

Getting an audience is hard. Sustaining an audience is hard. It demands a consistency of thought, of purpose, and of action over a long period of time.

The original idea was to make it easy to publish content on the Web and find an audience. What we learned from publishers is that the thing they want the most is more readers and more revenue.

Corporate communications will become a high-tech art, just as political communication is for Obama.