John Barrow Quotes

There are three things we need to do for a band. We need to make a great record; we need to get the record played; and we need to find an audience for the live shows.

I don't think they like the idea that the people who are buying the record get to choose what goes out, because it's their job. The fans even pre-ordered stock to make sure that I had some sort of presence.

Only a certain number of people go to a store over the period of a year. When a person sees my record on the shelf, it eliminates someone else's record from being sold. It's about continuing to try to find new ways to sell records.

If you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia.

My most successful album happened back in the mid-'90s, pre-Internet times, with 'Songs For A Blue Guitar.' We were supported by Island Records; we toured a lot. Songs were licensed to TV commercials and movies.

If a new artist wants to put out some sort of off-the-wall, crazy deep ballad about the sun or whatever, it might be hard to get traction. It's so much easier for someone established to put out a really heartfelt, deep song and get it played in radio.

You can tell if something feels special. But there are so many moving parts involved in making the song a hit. The radio has to deliver, the management has to deliver in terms of booking the right promotions... just being a good song isn't enough.

If you are the record label who owns Lady Gaga, and you have a new artist coming up, you can say, 'Let's have the artist play just before Gaga.' Now you've exposed the huge Gaga audience to the new artist. It's similar to showing a trailer before a movie. The hit creates a hit.

There are people that bring artists to me to look at it and it's a question of whether I like their music and their look and if I think there's something they have that makes them different and commercial.

A lot of artists feel it's not worth it to sign with a major label, because if you don't have a giganto hit, then you're not going to get a video made. You're not going to probably get much tour support. You're not going to get promotion. You're certainly not going to get a publicist who's going to pay much attention to you.

You know, I didn't have enough money to quit my day job... the myth of the major label deal. Nowadays, you have a tour bus and a stylist and all this stuff. But back then, no way.

I can work my butt off and create an album that's wonderful, but if it's never played and never given the outlet, it won't succeed.

It's called 'I Wanna Thank You,' and I'm encouraging everybody out there to blog, Tweet, Facebook, anything about it. Let's sign a petition. The petition is called 'Busta Rhymes Make 'I Wanna Thank You' Your First Single.'

Somebody will come on TV singing, and you're like, 'Oh my God! I mean, they suck! You know, who signed them?' Well, it's just because she's good lookin', or it's because he's takin' his shirt off and he's muscley or something, or else he wouldn't have gotten his chance.

I miss how a record label can help spread the word that you have something out.

The music industry is saying, This is the format, and if you'll fit into this format, you can be on radio, and if radio will play you, MTV will expose you, and MTV will expose you, we'll sell records.

The label doesn't do anything but put your record in the store, that's all they do. And tell you, you don't have a single... and tell you, it's not gonna sell... that's what the label does.

I want to sell out arenas and make an album and work with some of the best artists in the world.

We saw a need to develop a community for artists to get their music out to the masses. With MySpace, when they went out on tour, they could actually tour nationally. The band might have 20,000 friends on their list and send out a bulletin saying, 'I'm going to be in Austin on Tuesday night. Come see our show.'

A lot of people see a Nissan ad and they see a finished product in a record store or on iTunes and that's the face of the band.

Right now the focus is the album that is released and then the tour coming up. After the tour they will let us know about the options and offers that came in for us.

Back in the day people made music to go on tour. They didn't make music to make a video.

Well, I was making a record, and I had to choose a name, because they said, you know, you can't make a record under the name of Reg Dwight, because it's never going to - you know, it's not attractive enough.

I asked my friend Greg Andersson to introduce me to people that can distribute my album.

When you're on the pop treadmill, you don't always feel that cool because you have to do things to promote the record that aren't necessarily your environment.