Roy Price Quotes

Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.

And the consumer doesn't care. They don't watch networks, they watch TV shows.

We are committed to getting our content to our audience in as many ways as possible. We are very excited about our partnerships.. and we relaunched our ABC app, which is going to be a great place and opportunity for our audience to find our shows in addition to throwback content and new ABC digital originals.

I think we're in a time when people are much more interested in a show than where you find it.

I think that network TV is going to either have to reinvent itself or it's going to have to be more competitive - there are just so many options now with streaming and everything.

On Netflix and other streaming services, they're taking risks that are based on 'Come with us! Come with us!' and the audience does.

The whole industry is changing because so many people watch things on DVR, and they watch things on other platforms, and I think everybody is kind of scratching their heads about how this is going to play out.

Somebody with a billion followers can tweet, 'See my movie,' and it can still tank. Followers don't always translate into success because I think people are too savvy. When something takes off, it's because people are connecting to it - not because someone with a lot of followers says to care about it.

The theatrical marketplace is a challenge. What do you have to do to get someone to purchase a movie ticket to your movie? You have to do something that they've never seen before; you've got to enthrall them in a new way.

Everything I do, I do it with the hope that people will watch it more than twice. Whether it's 'Pan's Labyrinth' or 'Pacific Rim' or the opening of 'The Simpsons,' I do it with that hope.

The way that we're consuming what we watch. Netflix, binge-watching, destination agnostic were not terms. It was about networks, times, dates. Even with feature films, you had to see it this way, in this capacity, at this time. All that has changed. Now it's really about the story. It's a gift that I became a storyteller at this time.

I look for good scripts, not anything. It should inspire me, and the audience should like it.

You can't expect to connect with everybody, and that's all right. The more I make films, I'm learning that you don't have to make films for everybody. A film can be made for a smaller group of people than that, and it still warrants an existence.

It's wonderful to be part of a film that really reaches an audience's mind and an audience's heart.

I think if you make good, interesting content with compelling story lines and good characters, people will tune into the web for as long as you want them to.

Write something good that the people like.

With the blessing of social media and platforms like Amazon Prime and Netflix, you get this broad audience that I don't think we knew about when we were kids.

Just make videos about things you love, and people who love the things you love making videos about will find you.

When I sit down and make videos, my No. 1 thought is that I want to make a video that I want to watch.

Once you get people's attention, you have a greater responsibility to tell them something of value.

The literary world has to compete with YouTube, Instagram, PlayStation, Xbox, Hulu.

One fear setting on filmmakers is that the audience no longer has any patience. They want things to constantly move.

I believe now we're in such a niche-land in media that you have to super-serve your niche rather than try to be everything to everyone, because if you do that, instead of making your group care, nobody cares.

As a content creator, all you can do is do your best work and then hope that it resonates somehow with an audience.

The real power of Web is the ability of the medium to have a one-to-one relationship with the audience.