Audience Desire Quotes

I think every great show has that kind of romance that people just kind of yearn for.

I think audiences crave something new. I don't think audiences want the same old thing, no matter how much conventional Hollywood tells you that.

People want somebody to be a daredevil, even if they're not going to be a daredevil themselves.

You only have to go on a couple message boards to know what the fans want, and the fans want you to put it on the line and to entertain them.

If a lecturer, he wishes to be heard; if a writer, to be read. He always hopes for a public beyond that of the long-suffering wife.

I would not be happy to do what I do unless I felt that the large audience wanted it.

I don't believe you should stay onstage until people are begging you to get off. I like the idea of leaving them wanting a bit more.

You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else. My style of filmmaking happens to be give the audience what they know they don't want, but they want. Ultimately I have to write and direct in a way that let's just say, you don't want to regret making a choice.

A big element of what they regard as conformity is simply a desire to have an audience.

When you're a performer, of course you want an audience, but it's very, very different from courting fame.

I want to fight the fights that fans want to see.

At this stage, what would be rewarding would be for audiences to want to watch.

As long as the protagonist wants something, the audience will want something.

In the on-demand environment, you need love, not like. There's no lead in. You're not going to surf channels and hit it. People have to really want that show.

'Jism' is what it is because of my feminine gaze... And I believe strongly that my female audiences deserve eye candy as much as my male audiences do!

I do know one thing: I wish people were doing more dangerous musicals, more courageous musicals and not just falling into the trap of trying to figure out what the public wants, because you find out that the public very often wants what's good.

The spirit of the poet craves spectators... even if only buffaloes.

'Friends' started because Rachel left her husband at the altar. This likability factor is just so stupid to me. It's the same thing as 'wish-fulfillment,' which is a big word you hear in a lot of Hollywood rooms. It basically means that people want to see other people living a life they can't lead, and I don't buy that. I think that's not true.

When people go to the theater, people say they want something different, but what they really want is something the same with slight permutations. To really not know what is going to happen next is a hard thing.

I think people really want to see the real because the world is portrayed at such a low level that if you come out with a real wholesome show, people don't want to see that anymore.

There could be more 'Dhooms' every couple of years. There are chances of 'Dhoom: 4' and 'Dhoom: 5,' if people want it.

A lot of people ask for sequels, but what they really want is just to know the characters are happy and safe.

My films have a bold interpretation. They are unapologetic about showing intimacy. Going by the number of people who come to watch my films, this is what our target audience yearns for.