Milo Ventimiglia Quotes

I think feature films sell on the idea, and I think TV works based almost entirely on execution. I don't think anybody is going, 'Wow, that show is executed poorly, but the idea is so cool I just have to keep watching.'

I try to work on shows that I would want to watch.

We're seeing TV series that are as good as movies were in the '70s and '80s - shows like 'The Wire,' 'The Sopranos' and 'Breaking Bad.'

Television is better than it's ever been in history. A lot of stories are being pushed - because of how complicated they are to make - toward Netflix and other channels on cable.

Peak TV has resulted in beautiful shows that have nothing in particular to tell us about humanity.

I didn't quite understand the DVD thing and why my husband was mailing it back. I couldn't quite wrap my head around it. But now that I'm deeply in, as a watcher of content, what a brilliant business model. As a consumer, it's empowering to choose what I want to watch and when I want to watch it. I have three small children, so I need that flexibility, in order to really get into a show. And being on a Netflix show, it's perfect timing. I feel so grateful.

Obviously, in this day and age, with the TV shows, there are some really interesting ones. I'm not that interested in going and doing a network show, but like everybody else, trying to find something good.

There's certain things like scripted dramas that - they're either topical or such water-cooler moments that I think that they'll be consumed within 48 hours. You don't have to consume them at 9:00 at night, but you want to consume them within the first couple of days so that you can talk to your friends about it.

I feel like it's a golden age for television.

I hadn't really even been thinking about TV. To me, it seemed like such a commitment, almost like a marriage.

Watching shows on Netflix is a different experience because most people are sitting there for three to five hours. Very few people even watch one episode. So it's not like a movie theater where you want to the movies to be shorter so you can go urinate. You can pause and urinate at home, and if something is longer, you're allowed to stop and eat breakfast and then watch eight more episodes.

I love television. I think we're in a renaissance of epic proportion in television now.

There's a difference between watching a chef show, which doesn't feel like a reality show compared to the Housewives. Those shows can, I think, not only lower your IQ, but really just knock the wind out of you, because we're all here in this business.

The novel may stimulate you to think. It may satisfy your aesthetic sense. It may arouse your moral emotions. But if it does not entertain you it is a bad novel.

To me, the greatest thing in the world is downloading TV shows on iTunes because there are no commercials, and yet if I were a working stiff, I could never afford to do this. But I don't even think about money.

I watch very little television, actually. There's so many shows I want to watch and then I know I'll get hooked and I have to binge-watch the entire thing.

I think it's up to writers to write stuff that is compelling enough that people want to watch.

"Prison Break" has been a really great experience because of the writers. I think that in television, you can have great directors, really good actors, but if it's not on the page... I think a series lives and dies in writing.

My own idea about 3D is that it is there to enhance the viewing experience but I don't think that you have to use it in a tricky way, I think that the minute you sacrifice story and character for something coming out of the screen, I think you've lost it.

If you think about TV series, we make 16 one-hour movies a season. You don't get any opportunity like that in movies. I mean, I can't say I'll be able to do 16 movies in the next year, and so that's how I see it.

When you think of things like The Sopranos, The Wire, Damages, they are beating film on a regular basis. Most films are terrible. It's only the 2% that are good. There's things you can do on TV which you can't do on film. There is something about those episodic, serialisations that are grand and operatic.

I think we dip in and out of it. Every new show is trying to find their feet before they can say what they are. That's certainly something that I like about the role - going in and out of the personal life. There are some episodes where we go into it a little more, and some where we don't at all

We wanted to make Tucker's Witch just more human and playful, because I don't think we see enough playfulness between characters on TV. It's like, "Who really gives a damn about two detectives on a case?" The sillier we went, the better it worked.

Television. That's where movies go when they die.

I think, often times, it's the audience that suffers when a show isn't given the opportunity to have a beginning, middle and end.