I don't tend to watch TV. I'm like a Netflix junkie. I watch a lot of documentaries and movies on Netflix. I like 'Downton Abbey.'
The subscription model of buying music is bankrupt. I think you could make available the Second Coming in a subscription model and it might not be successful.
I love the place 'Clone Wars' has on Netflix; it's very accessible, and I think it's great.
I don't know if there aren't any films like 'E.T.' anymore. I just feel that the industry has changed so much. There are so many outlets now.
Television is a service, but it's also a business.
The only way you survive on all these services is if you're groundbreaking. There's pressure to be groundbreaking, which is the greatest thing that's ever happened. It's a bizarre aspect of what's happened with all of these subscription services is everyone is trying to outdo each other by doing great things.
The film business has changed hugely. You seem to spend about 30 per cent of the time producing the films and 70 per cent talking about it.
I watch a lot of TV. I love nothing more than having a good TV show on DVD, to just plow through.
I'm a big consumer of media and content online.
I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways. That's what I'm trying to do with modern technology, not just another song and another song.
I don't have a TV licence. I don't watch except on catch-up.
People don't listen to terrestrial radio. They don't find their music that way. They don't get their news that way. They go to blogs. They go through Sirius/XM. They go through all these different places.
If we lived in a time where people couldn't watch 'Lost' on Hulu or record it on their DVR, we wouldn't necessarily have succeeded. We need people to be able to catch up. Now you choose when you watch TV. We wouldn't have survived in the old days because people would have missed episodes.
We are at a crossroads in the music business: with the rise of the internet, the world we live in has changed, and the past is not coming back. But I see the glass as half-full: the internet and social networking are new avenues for the next Bob Dylan to be born on.
I love a good Netflix binge!
I don't really like watching my work. I don't mind watching it when I was a little kid because I forgive myself a lot, since I was a little kid.
Television. That's where movies go when they die.
Television has changed. The very nature of it is not even television anymore.
'Parks and Rec' is definitely a mainstream show - the group that watches it on TV on Thursday night is small, but the audience that watches it on things like Hulu, Netflix, and Tivo is enormous.
Digital technology has eaten classic radio as we know it. Independent stations with disc jockeys who chose their own music have all gone; it's these huge parent companies that own a hundred stations and then decide what we should hear.
I worked at CBS in the late '90s, and I remember sitting in meetings with both advertisers and digerati, and everyone was saying, 'Network TV is dead.'
I don't own cable, but my TV came with a Netflix button.
New platforms are emerging: Netflix, Amazon, Hulu and Xbox. And film actors are gravitating towards television, because there are basically better roles there. Television is making the kind of epics and genres that the movie studios used to make, and often doing it better with more complex narratives and corresponding budgets.
I think the networks, in general, have to evaluate what's happening around them. I'm sure they're scared about a lot of things: Amazon, Netflix, Hulu, and all these places that allow people to watch shows in chunks.
TV and appointment viewing is a thing of the past for the youth.
