Pierre Corneille Quotes
I would not like a king who could obey.
Corneille, Pierre. Le Cid. 1637, Act I, Scene 3.
Nasir Khusaro Hamiduddin Abu Muin Nasir bin Khusaro bin Harith al-Qubandiyani
Charles I had caused the death of his subjects with impunity and was called to account. However, the English Parliament did not know what specific crime the King had committed. Kings had executed people, guilty of crimes and otherwise, for centuries. For what could a king be accountable. Cooke developed the crime of Tyranny and drew up and presented the indictment for that. The King was found guilty and executed. This was the first time in legal history that a ruler was called to account for crimes committed against his own people. It became the foundation for many trials thereafter including that of Saddam Hussein in 2006.
If men's minds were as easily controlled as their tongues, every king would sit safely on his throne
Spinoza’s ideas were considered so radical and dangerous that he was the only man in history who was excommunicated by the Catholics, the Jews and the Muslims.
FDR was a marvelous judge of men and their character. De Gaulle could not separate himself from France and pushed the French Republic towards one man rule (himself) as much as anyone since Napoleon Bonaparte.
Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the Collège de Bourbon (Lycée Pierre-Corneille since 1873) where acting on the stage was part of the training. At 18 he began to study law but his practical legal endeavours were largely unsuccessful. Corneille's father secured two magisterial posts for him with the Rouen department of Forests and Rivers. During his time with the department, he wrote his first play. It is unknown exactly when he wrote it, but the play, the comedy Mélite, surfaced when Corneille brought it to a group of traveling actors in 1629. The actors approved of the work and made it part of their repertoire. The play was a success in Paris and Corneille began writing plays on a regular basis. He moved to Paris in the same year and soon became one of the leading playwrights of the French stage. His early comedies, starting with Mélite, depart from the French farce tradition by reflecting the elevated language and manners of fashionable Parisian society. Corneille describes his variety of comedy as "une peinture de la conversation des honnêtes gens" ("a painting of the conversation of the gentry"). His first true tragedy is Médée, produced in 1635.
