Randy Falco Quotes

I'm interested in ways that digital interfaces can be utilized as powerful narrative devices, and to engage people in new and exciting ways.

The idea of the show is that it's active and that children will become involved and watch the show, but also participate in the show. And I didn't know if that would work.

It doesn't matter as long as there's interaction between me and the audience. That's why they come.

I love connecting with the audience, and there's more ways than one to do that.

Communicators need to figure out how well do they engage people, and they should not talk one word longer than people are engaged.

We like reactions - a reaction is walking out on us, a reaction is throwing tomatoes at the stage, that's a healthy psychological reaction.

I can tell how I'm doing, and I can tell if the crowd is particularly dead.

You can't force something like that. But we have encouraged our audience, because we avoid the confrontation of regular rock concerts: us up here, you down there. Instead, we're looking for interaction.

I don't know if I ever really considered making a connection with the audience.

People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.

The audience is the camera. I don't want the audience to sit and watch, I want it to move.

I loved the idea of touching base with an audience.

It is easy to force a reader or viewer to interact. The trick is in making them want to interact, and in letting the story unfold hand-in-hand with that.

Games have grown and developed from this limited in-the-box experience to something that's everywhere now. Interactive content is all around us, networked, ready. This is something I've been hoping for throughout my career.

We believe content relationships are compelling draws even where paid-TV-provided guides are prevalent, such as here in the United States.

We're seeing how the videos translate to the live shows and how the technology is really reaching kids.

It is true that a lot of people are easily distracted online. As a result, too many of us have given up on digital audiences for ambitious work, and this is a mistake.

I've always believed that you need to find interactive applications on the Internet.

The audience is already doing so much, so I don't make them work any harder.

I generally enjoy talking with the audience - they give you so much. They've usually had a cocktail or two and they are wild, so it creates a fun environment.

I'm obsessed with audiences and obsessed with the journey that an audience goes on.

We're an industry obsessed with the storytelling side of things, the content. And then we got obsessed with the canvas. Is it going to be on television? Is it print? And now the canvas is mobile. But what we really need to think about is the context. The context is where and when the person is consuming it - location, time of day.

The real power of Web is the ability of the medium to have a one-to-one relationship with the audience.

I think a lot of audience members don't realize the part that they play in live theatre. The audience actually has a mood. Sometimes they're tired and bored, and we have to wake them up and engage them.

Our goal is to put news where it earns attention, where readers can access it on every device and interact with it. We're meeting our clients' audiences where they are instead of asking them to come to us. Increasingly, that means hosting the content on social blogging sites like Medium.