I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways. That's what I'm trying to do with modern technology, not just another song and another song.
YouTube and other sites will bring together all the diverse media which matters to you, from videos of family and friends to news, music, sports, cooking and much, much more.
People will love something very much or hate something very much. But the great thing about a sketch show is that if something comes along that you don't like, something else will come along in a minute that hopefully you might like that.
My company is known for being funny as well as moving. You get a bit of everything in these shows. I think people know they're going to have a surprising experience.
I don't want to be forever rewinding the Groves fight because I want to have loads of others to watch too.
As for other radio, I dip in and out of various channels depending on my mood.
The Maigret stories are all very different in terms of the content and the way that the stories are told. They're not what I would call formulaic.
There's only a few platforms that really aggregate content well together, Facebook being one of the best, probably the most diverse of all of them.
It feels good to turn on the TV and have options, a variety. That's why television is so good.
I think diversity in television is important. It's not about trying to fill a quota or satisfy some idea of diversity, but I think what diversity brings to any daypart is more eyeballs, just more opportunity.
I think the fun thing about doing a project under your own name is that literally anything could be a follow up, it doesn't necessarily need to be a record, it could be film related, it could be book related, it could be anything.
It has been aptly noted that web browsers are less Internet navigation tools than they are ebooks with highly diverse content.
There's a lot of content out there that's for an older audience but what struck me was that people who like those grittier, slightly punchier shows could still watch this but with their children as well.
My production company, what we are trying to do is I'm trying to create content that speaks to me, and it's not one color. It's not one size fits all.
I really don't want to make the same film twice, so I am conscious of going after material that is significantly different to anything I've done before.
If anything, Twitter helps me read about perspectives outside of mainstream media and learn about new authors, artists, and ideas that I don't always get exposed to in my regular media diet.
Ideally, I'd like every issue to include a diverse group of stories that meet the qualifications sketched above, but covering a wide range of specific matter and flavour.
For me, what's a more important question is how we get at least the option of more diverse experiences in this media.
There are networks and executives who are willing to take risks on vastly different material, and as an actor, there are some really juicy roles to sink your teeth into.
The upside to doing commercials is you have to work in a lot of different genres and make stuff that you never thought you'd be making.
