Cultural Repression Quotes

Woe to that nation whose literature is disturbed by the intervention of power. Because that is not just a violation against "freedom of print," it is the closing down of the heart of the nation, a slashing to pieces of its memory.

I don't want to, in any way, characterize a race or a people or get accused of racial profiling, but the Irish, as lyrical and romantic as they can be in their poetry, they can be every bit as repressed in their personal relations.

The reason Victorian society was so restricted and repressed was that it was impossible to move without knocking something over.

I think in times of fear and hysteria in a culture, gender experimentation as it pertains to men has to go underground because it scares people too much and it's too much for people to take on. Especially when a culture is held hostage by fear and hysteria and fundamentalism.

Under the Assads, Kurds were forbidden from learning their own language at school, or even from speaking it in the military. The result is a generation of Syrian Kurds, many now in late middle age, who can't write their own language.

In 1948 the first severe crash occurred in my life when Stalin put out his decree on 'formalism.' There was a bulletin board in the Moscow Conservatory. They posted the decree, which said Shostakovich's compositions and Prokofiev's were no longer to be played.

I lived through the Fifties in the Midwest when everything that was happening - the repression of homosexuality, for instance, the demonization of the Left, the giggly, soporific ordinariness of adolescence, the stone-deafness to the social injustice all around us - seemed not only unobjectionable but also nonexistent.

I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.

My feet always danced to Irish traditional music, but I was very glad to get out of the North of Ireland in the mid-Seventies when it was really closed and tight and relentlessly unforgiving.

We need a more complex understanding of writers working under authoritarian or repressive regimes. Something to replace this simpleminded, Cold War-ish equation in which the dissident in exile is seen as a bold figure, and those who choose to work with restrictions on their freedom are considered patsies for repressive governments. Let's not forget that most writers in history have lived under nondemocratic regimes: Shakespeare, Tolstoy, and Goethe didn't actually enjoy constitutionally guaranteed rights to freedom of speech.

If your country is wiped off the map and your language is banned, if your literature has to serve a cause, it becomes, however brilliant, rather hard to travel.

I started to write religious music at a time when it was absolutely impossible. The first religious work I wrote was the 'Psalms of David,' when I was still a student in 1957... At that time, religious music was really forbidden.

It's as if Japanese men, all to aware that deep inside they'd like to stomp Tokyo flat, breathe fire, and do truly terrible and disgusting things to women, have built themselves the most beautiful of prisons for their rampaging ids. Instead of indulging their fantasies, they focus on food, or landscaping, or the perfect cup of tea -- or a single slab of o-toro tuna -- letting themselves go only at baseball games and office parties.

Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.

American culture is not about experiencing our shame, it's about denying it. It's been that way our whole history.

I'm British, so obviously I repress any powerful emotions of any kind in relation to anything.

Here the oppression of women is very subtle. If we take female circumcision, the excision of the clitoris, it is done physically in Egypt. But here it is done psychologically and by education. So even if women have the clitoris, the clitoris was banned; it was removed by Freudian theory and by the mainstream culture.

The PC rebellion is about a reaction against the media academic complex, which tells us what to say - or else.

Attempts to limit female mobility by hampering locomotion are ancient and almost universal. The foot-binding of upper-class Chinese girls and the Nigerian custom of loading women's legs with pounds of heavy brass wire are extreme examples, but all over the world similar stratagems have been employed to make sure that once you have caught a woman she cannot run away, and even if she stays around she cannot keep up with you. ... Literally as well as figuratively modern women's shoes are what keeps Samantha from running as fast as Sammy.

We cannot let cultural relativism become the last refuge of repression.

My parents were both first-generation Irish Catholics raised in Brooklyn. But it was more for me - it was that women of that generation were even less likely to express themselves, more likely to have that active interior life that they didn't dare speak out. So I was interesting in women of that era. I was interested in the language of that era. There's so much. And, certainly, this is cultural, so much there wasn't spoken about.

I have a theory that Southern madhouses are full of gifted women who were stifled.

In authoritarian societies, cultural institutions tend to become ideological proxies - think of the National Ballet in Cuba or the East German gymnastics team.

Maybe the '50s and '60s were more awkward because everyone knew there were things under the surface, but no one talked about them.