Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun.
We didn't used to be so precious about women in comedy back in the old days.
When I first got to New York, Comedy Central was the only place to go if you weren't on HBO or network. And then FX, Adult Swim, and other sort of ventures came up, and all of a sudden there were other places to go, and I think Comedy Central is making a concerted effort to become a place where smart, funny weirdoes can come and do their stuff.
In reality, there are tons of unrepresented voices that we don't see in comedy.
There were very few women comics when I started out doing stand-up. But I always saw that as a great advantage.
The irony is that we're really good at comedy in Britain, but for some reason, we make very few comedy films. And when we do, they're either quite American in style, or very Richard Curtis. And I like Richard Curtis, but I think only Richard Curtis should write Richard Curtis films, and other people should try and find their own style.
When I hit the scene, there was Billy Connolly and Max Boyce. It was all mother-in-law and Irish jokes, and we broke the mould. Now there are thousands of comedians out there, and I don't think I can be above it all.
The popularity of '2 Dope Queens' just showed there was like a hunger for new stories because we have alternative comics on our show that wouldn't normally be featured on, like, a white guy's comedy show.
Comedy today is not what it was years ago. It's always changing, in particular to female comics. No longer are certain subjects considered to be a male preserve. Women can talk about sexuality and their bodily functions and it can be very, very entertaining. It's changed the impact of comedy acting.
One of the things that would be great is to some day have so many women comedy writers that we wouldn't say there's just one type of female humor. There's lots.
I don't like any female comedians.
The problem isn't that there's not enough women in panel games. The problem is there's not enough women in comedy in general.
At first, there was a separation of clubs and sketch comedy. Now there's all kinds of comedy, making us one big happy family.
Comedy is the only form of entertainment where the audience doesn't know what to expect. In an evening, you might get ten comics doing ten different things. That's not what happens when you go to hear music. There isn't a classical performance followed by a hoedown followed by rap.
I personally find it difficult to accept that there could be anyone on earth insensitive to the comic abilities of Laurel and Hardy, Sid Caesar, Woody Allen, Mel Brooks, or Martin Short. But no matter who the comic entertainer is, there is always at least a minority prepared to say, 'What's all the excitement about? He doesn't seem funny to me.'
Hopefully people will be reinventing comedy forever and ever. This is just what I do, and it's a type of comedy.
Black people who want to do comedy go into standup, where our heroes opened a lot of doors. Improv doesn't have a ton of heroes that you can look to.
There's probably been very few people in comedy that have a diversified background as I do.
I cannot believe that in all the years that there have been female stand-ups, there has never been a show just for them.
As a woman, it seems you can't just be a comedian; you're always classed as something else, too, whether that's 'beautiful,' 'pint-sized,' 'larger-than-life' or in my case, 'Hattie Jacques-esque,' 'the giraffe,' 'big.'
There's like a shift in the paradigm about every 15 years in movies because one would slip through the cracks. I think if they were more inexpensive you would see many more eclectic comedies being made.
I think the worst thing you could ever do is label comedy. I'm a fan of the broadness of Lucille Ball, the subtlety of Peter Sellers and the oddballness of Fred Armisen and the wittiness of Marty Short. I'm a fan of all of it, and I want to do all of it.
Not saying that we are realer than most people, but because Chi is so segregated, first of all, we have to be diverse comedians and be able to make a lot of different people laugh. And Chicago comics, we're OK with who we are in our truth. That stems from Bernie Mac and a lot of other greats who came before me.
There are a lot of funny women in my life. I never understand those movies where there's eight funny guys and two women who don't have any opinion or humour.
