Jon Favreau Quotes

I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'

I'm not saying I'm a writer, but I've been in movies for a long time, and I think I could write a script for a movie.

It takes a long time to get a film made.

Nowadays they have 12 directors and 15 producers and 30 writers. And all the writers want their lines said a certain way-which isn't necessarily funny. I mean the lines aren't necessarily so funny to begin with.

I'd always intended to make 'Far North' straight after 'The Warrior.' We had the rights to the short story, the script was in development, and I knew where I wanted to shoot it. It just took a long time getting the script together and raising the finance.

I was familiar with 'Addicted' for a long time, even prior to the movie, way before it got the greenlight. And when it finally got the greenlight, I was very happy to be a part of it.

I did green screen for the first time! I wouldn't like to do a whole movie of green screen, though. You kind of forget the plot a little - like being in a Broadway play and doing it over and over and forgetting your line halfway through.

When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.

The first time I met James Franco, he was dressed like James Dean. He was James Dean, literally, filming a biopic.

By the time we got to MGM, and Lions Gate the movie was done there was nothing else to say. It was done. Just as at Universal, it was art by committee.

A lot of our favorite comedies in general are usually directed by writers, whether or not they wrote the original script themselves.

Definitely as an actor, the experience you have, at least I'm talking for me, my experience as an actor is you go to the set and know what you're going to do, know your lines, you rehearse, you do your scene, you go back home. As a producer, for the first time I saw the whole picture in a completely different way.

Honestly, I just like to make movies. The funnier the better.

I think when I was young, let's call it high school, and even before that, I just loved comedy, and I loved comedians. I grew up watching Laurel and Hardy. That's really a long time ago. I loved Jerry Lewis. I just loved comedians.

That's why modern corporate movie making has become so laborious that comedians are kind of kicked out by 50.

The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage. Earlier in my career, I was really tight, really together, and knew who I was and I was confident.

I had a tough time 12 years ago getting 'Driving Miss Daisy' off the ground. Today, it would be impossible.

If you check your ego at the door when it comes to comedy, you've got a pretty good shot at making a great movie that you can commit yourself to, you can jump off the proverbial cliff with, and have a great time, and the audiences respond to that.

I have come close to producing films. But generally by the time they hit the screen, there's about 50 people with producer credits, so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance.

The first time I've actually filmed in London, the locations we've all had have been real inner city, grimy urban places which has been great. Filming here, you've got everything on your doorstep, so when you've got time off, you can go into town, so I've really enjoyed it.

And then we've got Blades of Glory, and we've got Brothers Solomon, and I've got a script in development with this guy Chuck Martin who used to write on Arrested, and, you know, we have a few things in various stages of development.

It's just so hard to get movies made, especially comedies.

I do think the first time you read a script, that gut response is very important, and that probably plants a seed that continues to blossom throughout the whole experience.

I've written something and I would like to have my first film directed by the time I'm 30.

Big studio comedies are such a headache.