George Hamilton Quotes

It's just hard to get an independent film made.

The Hollywood model is to develop scripts for 10 years, sell them, transfer them, attach this actor, then attach a director. This isn't what I'm about. I'm much more of a creator and a doer.

I was familiar with 'Addicted' for a long time, even prior to the movie, way before it got the greenlight. And when it finally got the greenlight, I was very happy to be a part of it.

When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.

My dad always produces, and I would always sit in producers' meetings with him. I like the whole thing of putting a movie together. I think that's very exciting.

It's hard to get personal films off the ground, and it's hard developing them.

The great thing about being a producer on a project is that you get to see the ins and outs of every piece of the puzzle. There are so many elements involved in every aspect of a film's development that I don't think the average person is aware of, which is, I guess, why the whole process is referred to as movie magic.

Collider is a company that I formed with a movie producer, Alisa Tager, and we just wanted to create a place where writers could come and develop their ideas without a regard to limitations of form.

That's why modern corporate movie making has become so laborious that comedians are kind of kicked out by 50.

I have a freedom that's incredibly valuable. Obviously my freedom is far smaller in scale than people like Zemeckis and Spielberg have here. But it's comparable. I can dream up a project, develop it, make it, control it, release it.

It took 17 years to get 'Rambling Rose' made from the time Calder Willingham wrote the script adapted from his novel. Ed Scherick, the producer, was interested in it. Martha Coolidge was interested in directing it.

Some writers and producers are currently writing a sitcom for me, so we'll see what happens there. I'm somewhat reluctant to talk about some of the upcoming projects that I'm working on; I've a lot of stuff on the go, including five pictures that I'm looking at producing.

I've never had to pitch a movie to a studio. I usually just let people read the script, then I cast it. I always think pitching is for baseball.

I want to make my own films from my own scripts based on stories I want to tell, but they take time to put together.

It's just so hard to get movies made, especially comedies.

I vicariously lived the life of an independent producer from the time I was four years old. And what was always important was writing, writing, writing.

I would have killed to do 'Beauty And The Beast' at Warners, which went away. I would have killed to do 'The Witches' at Warners that went away. God knows there are many, many of them. All I can do is diligently do the screenplay, diligently do the design work, deliver a budget, and then await a decision.

Producing is a way of finding a great script that nobody's making, and believing in it, and doing what you can to get it made. It lets you work with your friends, people you really love to do something with.

I want to work with Will Ferrell. I want to do, like, an action-comedy with him. How do I get the project for that? It's killing me. I've got all these great ideas, and the hardest thing is getting the material, the screenplay, you know.

There is a variety of different kind of producers. I'm a very hands-on, creative producer. I find material that I think would make a good movie or TV show, find the right financier/studio/network, hire a writer, get a good script, find a director, and collaborate with him/her to cast the movie and hire department heads.

You can sit around and complain that Hollywood doesn't make any good movies. But you can generate your own material. So I read books. I come up with ideas. I was the producer on 'The Woodsman' to help get that off the ground. Sometimes that extends itself to directing.

I think, in general, independents don't have a lot of access to really good scriptwriters or actors or actresses, so they're very limited in what they can do.

I worked on both 'Borat' and 'Bruno,' but in a very producer-y role.

When you're making an independent feature, there are so many difficult stages. One, just writing the script is difficult on its own. Then, when you get it to a place where you're happy with it, great - but then you need to find persons who are willing to produce it, who like the script.

After I made my first short film that wasn't terrible, people were interested in potentially developing a feature with me. Every time I read a script, it was a bizarre, too-dark, genre-less thing that no one wanted to make.