H. L. Mencken Quotes

I grew up in Nagpur, and I first started enjoying the author Harishankar Parsai. He wrote mostly satire, essays on the current situation and social issues. He wrote many books and I think he was my first influence.

I remember when Langston Hughes used to write a column in black newspapers around this character Jesse B. Semple. He always used that as a voice, sometimes in comic ways, of having everyday people's voice come through this common folk hero, who was an ordinary working guy. He would talk about anything from police brutality to the Korean War. Those kinds of expression and identification are no longer prevalent in our popular culture.

The benefit of writing a collection - as opposed to a novel - is that I'm able to have some version of the war in each story without having to comment on its all-encompassing nature. Turn the page and here are new characters and new situations, but the war remains... Isn't that how life has been for us for over a decade?

I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.

I was trying to write a straightforward book of sociological analysis, or at least cultural criticism, and I failed.

Any satirist writing a futuristic novel who had imagined a President Reagan during the Eisenhower years would have been accused of perpetrating a piece of crude, contemptible, adolescent, anti-American wickedness, when, in fact, he would have succeeded, as prophetic sentry, where Orwell failed.

I have that sort of Curb Your Enthusiasm, Larry David/George Costanza thing where people are like, "How did you feel writing such an unlikable character?" And I'm like, "It's me! I based him on myself!" There are certain moments where they do feel like unwittingly personal attacks.

I have spent my life in the study of military strength as a deterrent to war, and in the character of military armaments necessary to win a war. The study of the first of these questions is still profitable, but we are rapidly getting to the point that no war can be won.

I wasn't raised to not write about issues, and I'm just living in really politically charged times. You know, I'd rather write songs about girls, but it's just hard to do right now.

I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.

I concentrate on character, theme, language, structure, voice. It actually surprises me that no matter what I write, people declare it "intently political." I'm just writing about the world I know, as it is. Wounds and griefs included.

I'm not trying to write a bleak and blistering screed against American civilization. I'm writing something that I hope is fun and satirical and full of possibility.

My work holds up the mirror to hypocrisy, which puts me in a tradition of American writing that reaches back to Nathaniel Hawthorne.

A female writer does definitely get more attention if she writes about male characters. It's true. It's considered somehow more literary, in the same way that it's more literary to write about supposedly male subjects, such as war. You're considered more seriously by the literary establishment.

I must say it's pretty dreary living in the American Age - unless you're an American of course. Perhaps all our children will be Americans.

If you make a film and then two and a half, three years later, suddenly the country's changed and you look like you just happened to hit it. I actually like being contrarian. I would have preferred to come out three years ago when everyone was disagreeing with me. But hopefully it asks a lot of questions about our responsibility in sending young men and women to war, especially a war that's so complex, where there's no right answer, where they're forced with impossible decisions every day.

I'm unhappy with the President Trump. I don't like his behavior, and I'm a Republican, and I don't like his policies because they're almost the antithesis of the American character of generosity, of charity, of welcoming, of helping, of taking risks. You think of the lives that were expended in World War I and World War II to help others, and they say now we'll draw up the bridge and we'll protect ourselves. We won't have a broader role in humanity.

Remember that you don't write a story because you have an idea but because you have a believable character.

My favorite piece of technical writing: Assembly of Japanese bicycle require great peace of mind.

To most readers the word 'fiction' is an utter fraud. They are entirely convinced that each character has an exact counterpart in real life and that any small discrepancy with that counterpart is a simple error on the author's part. Consequently, they are totally at a loss if anything essential is altered. Make Abraham Lincoln a dentist, put the Gettysburg Address on his tongue, and nobody will recognize it.

What's interesting is, most of the people who are fans of the The Wire who black people or cops... most of the people in the industry are the crew: writers, actors and directors. And so they understand what it is that we do, so they think, "Wow, what a incredible group of amazing actors." It's funny, I think there are a couple of reasons why we have never gotten any nomination for anything except for writing.

There is nothing I can't do writing in Fantasy. I can have romance, I can have mystery, I can have drama, I can have good characters - I can have everything you can do in any other genre... plus a dragon.

When I think about [characters], I like to think of them in their relationships to each other. In the same way, I think that's how humans are ultimately defined. We are our relationships to one another. And a lot of what's interesting about us happens in the context of other people.

To any writer: Teach yourself to work in uncertainty. Many writers are anxious when they begin, or try something new. Even Matisse painted some of his Fauvist pictures in anxiety. Maybe that helped him to simplify. Character, discipline, negative capability count. Write, complete, revise. If it doesn't work, begin something else.

The art of fiction is freedom of will for your characters.