Steve Earle Quotes

Bands have always written songs against what they see as wrong. Ronald Reagan really made for a lot of songs.

I try to make all my songs good. I don't ever write one to finish one. A lot of protest songs end up that way, driven by some kind of emotional response.

It wasn't my natural inclination to get into writing protest songs.

Making art in America is sort of a political statement in and of itself. It's not the best environment for that sometimes.

There's a tradition in British intellectual life of mocking any non-political force that gets involved in politics, especially within the sphere of the arts and the theatre.

If rock criticism is to be a political calling, which has always been my angle, that's obviously not because it's a fountainhead of protest songs.

Everybody knows we're big liberals and I was a very outspoken Hillary Clinton supporter, and I still am. It's impossible for us to separate the songs we're writing from what's going on in the world.

If I ever hear "Power to the people" again, I'llà I just found out that John Lennon wrote that song, "All we are saying is give peace a chance." I couldn't believe it. I thought it was terrible; I hated that song. They used to bring out the Pete Seeger wind-up toy to sing it. Tiresome.

My dad [Johnny Cash] went to the [Richard] Nixon White House and refused to sing "Welfare Cadillac" (instead performing the anti-war songs "The Ballad of Ira Hayes" and "Man in Black"). He protested the Vietnam War, but he went to perform for the troops with bombs dropping all around him. He had that kind of genius: a true artist's capacity for holding two opposing thoughts at once while being large enough to encompass all realities.

My songs emerge unbidden and unplanned and completely on a schedule of their own...We have, all of us, over the years, written things that responded to the world as it slapped us in the face. Me and Nash, singing "To the Last Whale" and "Find the Cost of Freedom". Stills coming up with "For What It's Worth". These came right out of the news. People have accused us of taking stances and the truth is we don't.

People can have political opinions and put them into songs. I'd never deliberately do that, but that's a personal choice I'm inspired by my man but not by his previous position. I'm more inspired by people that are left out by society.

I wanted to write a song about sexism, but I didn't want to do it in a mechanical way and be like, "Don't be sexist!" because that's not how I talk in regular life.

I kind of think that artists throughout history, poets throughout history have been criticized for sharing what's on people's minds and I don't think it's any different now.

When I need to take a side, I write a newspaper article and I tell my government, "You should not do that, you should do this." They don't listen to me, but I've been doing this for sixty years now. But, when I write a novel, I am not in that business.

If I come across an issue, or something I feel strongly about, and I happen to think of a song that would go in that direction, then I do it. But that's not what I start out, necessarily, to do. Sometimes I may have an idea for a song - "Well, I'm going to write about a thing.

I don't want to tell what the songs are about for me, because then people can't decide for themselves, which is why I write; it's for you to find your own meaning in. For me it's my story, for someone else it's theirs; if I tell exactly what it means, then it's only my story.

Nelson Mandela was in jail when I was really young, and Winnie Mandela was one of the biggest faces of the movement. In South Africa we have a common phrase - it's like a chant in the street and at rallies: "Wathint' abafazi, wathint' imbokodo." Which means, "You strike a woman, you strike a rock."

You don’t need help to write a song. You just need to get over this experience that bummed you out so bad. The relationship you were in is over, it was over a long time ago, and you need to move on.

I'm coming from a place that's more experimental and indulgent already, so for the last 10 years, it's been more like, "How can I defend my own sensibilities by writing a nugget of a little catchy pop song?" That's how I'm stretching myself, by writing something really simple.

It's funny when you write a song - it's easy for me now - but there's almost a second stage where you take control of the song. You start writing it, and if you're not careful, it just finishes itself and it might not be what you wanted. It's very strange, it takes over itself. It has its own life.

I've gone a year and not written a song just because I couldn't think of anything. But I always come back to it because there's always that little buzz you get when you do something well and sing it out loud to the public. And people clap and tell you how great you are.

Poetic justice, poetic justice.. if I told you that a flower bloom in a dark room would you trust it. I mean I write poems in these songs.

I'm inspired to write songs in many different ways - it can come from a melody, a word or phrase or something I have seen on my travels around the world. It's one of the great bonuses of my job in that I get to meet so many people and experience different cultures and it would be hard not to be inspired.

There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.

You've got to concentrate on the business of entertaining and writing songs. Always think different from the next person. Don't ever do a song as you heard somebody else do it.