Noelle Stevenson Quotes

Since we made Shrek in the digital format, you actually can see it in its purest form digitally.

And what better way to reinvent the form than to toss virtually 99% of everything that's been done with it and start with a brand-new canvas, reinvent it from the ground up? Digital comics gave me the opportunity to do that, and producing things digitally gave me the opportunity to do that.

In the digital future, texts will be annotated visually, animated and illustrated like never before. The austere 'prayer book' paper that permitted the space for Shepard's illustrations to Pepys' diaries is now being recreated in the digital era.

The difference between graphic novels and web comics is even greater than graphic novels and story boarding. Web comics really is a legitimately separate genre.

From a completely financial standpoint, digital is starting to crack as far as an independent filmmaker's access to getting your story out there - Amazon, iTunes, all of those. It makes the prospect of doing it yourself - not easy by any means - but possible, maybe for the first time.

There's an obvious marketing component to doing something digitally where you're reaching out to new readers that you can't do in the existing print marketplace, or that it's difficult to do in the existing print marketplace.

I'm not opposed to comics on the Internet. It's just not interesting to me.

I'll still do print comics; as long as there's a market, I'll still be there. I just have a hard time believing that's the future.

For me personally, I get to be a cartoonist, because my comic would never survive in print. Maybe one in 100 people would like it, but online, I can gather that one percent all in one place.

For a long time, I was very resistant to the idea of online publication or even e-books or something like that.

Everyone at ComiXology has been very supportive and enthusiastic about getting 'Youngblood' as well as the rest of the Awesome/Extreme catalogue online. Hopes are high that this relationship leads to more online comics.

What we're increasingly seeing is comics are becoming better known across the world. They're recording shows wherever they are, then putting them online for everyone. It has definitely changed in that way.

Being online works really well for any creative work, but especially comics.

I'm actually very critical of digital cinema.

I think when I first sold digital comics it was sort of on a whim.

To compare books to computers, I mean, computers are the way to get books. That is the medium for distributing text because it doesn't require paper.

Choosing to publish work electronically myself is really a no-brainer.

I am not one of the new media experts working all the time with my computers and the PowerPoints and things of that sort.

The whole world of publishing is moving to electronic, but when you put a poem on a screen and you increase the type size, the shape of a poem changes.

Online publication is fine with me, in part because I hope to collect those stories later.

I love digital books. And I actually started digital-first publishing back in 2005.

The diversity of content is now offered from streaming and downloading, so young people are really not going to theaters because they don't see any particular benefit.

The experience of reading a printed comic book will never change, but now, thanks to the digital age, there are many different ways to enjoy the same story. Digital comic books, of course, can be interactive in many different ways, allowing the reader to feel like a participant in the story.

I think that the digital media are interesting enough in their own right to be worth originating something in.

I think the media world is adjusting to the digital age.