Kevin Nealon Quotes

I always wanted to be a comedian and actor. I basically stumbled into the music medium, though. I'm OK, but that's about it. I like to think I'm good enough not to negatively affect the performance.

A lot of the comedians nowadays just do comedy as a stepping stone. Take for example Dane Cook. The guy is huge. The main reason he got into it is to do what he is doing now: film and television work.

Andy Samberg is the only person I've ever seen do an impression of me, and I didn't think it was that accurate. I'd like to see somebody else impersonate me, especially if they can do a good job.

For aspiring comedians? Don't listen to me. Just go on stage and do what you think is funny.

I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.

I like to read, but otherwise I'm just your average, self-obsessed comedian. It's pretty much all I think about.

I think politicians and comedians have a lot in common. One is a group of approval-seeking narcissists who will say and do anything to be liked... and comedians are always talking about politics.

I think Mitch Hedberg is one of the great comedians of the past 20 years.

I think there is more comedians now than ever, more venues now than ever. There are stand-ups who live in towns where they don't have many comedy clubs where they are organizing more comedy nights in bars. I just think this is a fantastic time for stand up.

I really wanted to, but I just didn't understand how people became comedians. I kind of thought it was something you were born into. And so I wanted to be a veterinarian or an architect. I wanted to be in a band, and for some reason I could understand how you could be in a band because I had guitars and all my friends played music. Comedy was a secret want, but it wasn't anything I pursued.

I like to think of myself as the middleman between Fred Allen and Henny Youngman.

Most comedians weren't great athletes; that was the way they got noticed in high school.

I loved working in stand-up, and I always dreamed that I could make a movie about it. I didn't know if I would have the courage to, because if you make a bad movie about stand-up, then comedians will mock you for the rest of your life. They're still mad about movies made 25 years ago. But it was always a dream of mine, and I was glad I finally came up with an idea that allowed me to explore it in such a way that it's not all about stand-up, but stand-up creates a great backdrop for another type of story.

It was great and I had fun that day even though I was so sort of pleased when it was over to get through it. I didn't realize at the time that usually they screen test a number of actresses for the part, but they only tested me. So I think they knew then they wanted me to do it, and I wish they told me because I wouldn't have been so nervous. That was quite funny.

Comedians are a much rarer and far more valuable commodity than all the gold and precious stones in the world.

I don't think there's anything Craig Ferguson could say that would make me laugh. Ad-libbing is not the same as entertainment.

All of my life doing interviews, comedy has been my favorite thing, comedians are my favorite people.

The earliest stand-up comedy I was aware of was Bill Cosby. I watched Saturday Night Live as soon as I was aware of it, and Monty Python used to be on PBS at weird hours, so I used to try to watch that. And I loved George Carlin on SNL, that was the first stand-up I ever really remember seeing on TV. And then Steve Martin. I guess I was in fifth or sixth grade when Steve Martin showed up, and he was instantly my idol. And Richard Pryor around the same time too, I sort of became aware of him, though I don't remember the first time I saw him.

I was a fan of "The Daily Show" I watched it,I never imagined being on it, but I figured I would just go down there and do my best Stephen Colbert impression.

I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.

All comedians are a bit attention-seeking and I'm no different. Anyone with the audacity to want to be listened to for an hour and a half must be.

I started doing stand-up at the age of 20. This was back in 1976, around the time (coincidence?) that the first comedy clubs were starting. The young comedians of today gasp when I tell them how many shows I did that first year: 500. Five nights a week.

My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.

I wanted to be a comedian, I wanted people to laugh at what I was saying, not to be staring at my boobs or wearing a skirt and show off my ... I just didn't think that that was the best way to get taken seriously in that world.

I just respected comedians whether they were or they weren't, from, you know, new or old.