Joe Pantoliano Quotes

Yes, I've already done a couple of guest voices.

I guess the biggest challenge to doing any kind of animation voice work is that you only have your voice to tell the story.

I've only used my own voice about four times on film.

I did take some voiceover classes. I always loved the idea of doing a voice for a cartoon character. I just voiced the character of Suzi X in the upcoming 'The Haunted World of El Superbeasto.'

Doing voices in animated movies has been one of my dreams. You get to go and act, and you don't have to put on makeup.

In my career, I have done more than a thousand voice-overs in commercials, cartoons, and radio shows, so I'm very familiar of my voice capabilities and its range.

As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.

When you do a voice in an animated film, you don't see the finished product at all. You're not animating. You're not doing the voice on the finished product. You're doing the voice long before.

I have to admit that I was a little nervous when I showed up for my first official 'Wreck-It Ralph' recording session.

I know now that I want to do more voice-over projects. They really have the ability to transport you into the world of whatever movie it is you are working on.

I work with all these amazing voice actors that do a kajillion voices.

It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.

Doing voiceovers is so great because even though many people would think it's just your voice, you really do use all your physicality. I've done everything from playing a butterfly to Alice in Wonderland when she's 10 feet tall, so it allows you to be an actor and build new characters.

I'd like to do more TV stuff that is live action, but I am so totally happy doing as much voice work as I possibly can. Because it really is the best work. It's so amazing. You just show up. You don't have to look good. You don't even have to brush your hair. You work for a couple of hours, and you go home.

I did a voice for Odo, but people don't recognize you by your voice.

I think, to a degree, I'm maybe more suited for voice work. And I don't just mean my face and body. Because maybe there's something about what I do that just, for some reason, is better to just hear me.

I love the freedom of voice-over and the ability to play multiple characters I could never play in real life: a hot young woman, a little boy.

I feel like that would be pretty strange to meet a voice actor as a kid.

When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.

To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.

I've done the voice for the Hulk for the animated cartoon.

I always dreamed of being a voice in a Disney movie, and even in those dreams, I never once dreamed of being a princess. I just wanted to be a voice.

I love any kind of acting, so if I could focus on becoming the best actor I can strictly on my voice, I would love that.

I'd like to do voiceovers my whole life. I get to kind of create a character and go in and play.

Voice acting is very interesting, I've done several animated projects, and you have to make the voice reflect the character and try and do as much with a word as you can with a look in a live-action film.