Voice Impersonation Quotes

I did a voice for Odo, but people don't recognize you by your voice.

I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.

I didn't change my voice for 'The Boondocks.'

I've been doing voices as long as I can remember. When I was little I could pick up on sounds, and then I discovered you could distort what you hear and make people laugh or disrupt a class.

Jamie Foxx does a good rendition of me. It's a real gift, mimicry of that kind, the tonal thing. It's sort of like having a talent for playing an instrument.

When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.

There's something in my voice tonally that's like a boy, so I started being able to do boy voices and to be known as having a naturalistic boy tone without pushing it.

Yes, I've already done a couple of guest voices.

I love any kind of acting, so if I could focus on becoming the best actor I can strictly on my voice, I would love that.

I never worked with a dialogue coach before, but I'd hate it if an American did a British accent and didn't do it well. It would be insulting.

Strangely enough, among my dad's things, I found the diary of an ancestor who was born in 1797 and became a ventriloquist in London. That was quite chilling. It described exactly how I was as a child but 150 years earlier - doing voices, pretending to be a ventriloquist.

The whole time that I was doing the voice of Korra, I would always joke around saying that nobody's gonna give me a job as an action star or a hero. I just do silly comedy.

I have always been complimented that my voice matches all actors like Shahid Kapoor, Ajay Devgn, Amitabh Bachchan, Hrithik Roshan.

I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.

I feel like that would be pretty strange to meet a voice actor as a kid.

I think, to a degree, I'm maybe more suited for voice work. And I don't just mean my face and body. Because maybe there's something about what I do that just, for some reason, is better to just hear me.

I love doing voice-over. It's so fun.

In my career, I have done more than a thousand voice-overs in commercials, cartoons, and radio shows, so I'm very familiar of my voice capabilities and its range.

I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voice-overs.

I've always said that you can't be the new Mel Blanc by doing Mel Blanc's voice.

I think I do too many voices in these shows. I think it's because we have trouble getting voice talent.

I always had a problem when I did the audio books myself because they weren't made to have me doing all the voices. And to hear established actors, and you think, 'Wow, that sounds like it's supposed to sound,' is great. They've got the right inflections, which is an enormous skill.

I was impersonating people way, way, way early, as far back as I can remember. And I would do people on my street for my parents, I remember. And in school, I did the same thing with all the teachers. It was just like, I mean, it was something I loved to do. I don't think there was a time when I wasn't doing it. I was always doing it.

Actually, I never liked Dylan's kind of music before; I always thought he sounded just like Yogi Bear.

You should hear the guy who dubs me in Japan. I like him the most. He has a high squeaky voice.