Amber Nash Quotes

Voice acting is very interesting, I've done several animated projects, and you have to make the voice reflect the character and try and do as much with a word as you can with a look in a live-action film.

I guess the biggest challenge to doing any kind of animation voice work is that you only have your voice to tell the story.

I have to admit that I was a little nervous when I showed up for my first official 'Wreck-It Ralph' recording session.

I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.

I have been doing voice work my entire life, and I adore it. It is really rewarding stuff.

I'll ask you if you can play some speaking roles.

If you do a scene the right way, you can go home at the end of the day and really feel like you accomplished something.

I'd like to do voiceovers my whole life. I get to kind of create a character and go in and play.

Animation is a fascinating area from an acting point of view because it's not really like anything else because you are only providing a portion of the performance. That's very inspiring and it forces you to do things in a different way - to tell stories through your voice.

I always knew that I wanted to do voiceovers as part of my career. I just kind of didn't expect it to take off the way it did. I couldn't be happier. I love the chance to play so many different characters every day.

You study all your life, you work really hard to do your best work onstage and onscreen, and then you make your best money playing an ant.

I would love to voice an animated penguin or platypus at some point.

Voiceover excited me and terrified me. I thought I was going to be really bad at it. It was so freeing and fun to not have to wait for 10 minutes between every setup. They just throw you a direction, and you just say it.

You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.

I know now that I want to do more voice-over projects. They really have the ability to transport you into the world of whatever movie it is you are working on.

I work with all these amazing voice actors that do a kajillion voices.

I was, aged nine, the go-to kid in Minneapolis for a commercial voiceover.

You're using such different muscles and you rely on physicality in live action, but in animation, you totally throw that out the window. But somehow, they're both as satisfying.

I did take some voiceover classes. I always loved the idea of doing a voice for a cartoon character. I just voiced the character of Suzi X in the upcoming 'The Haunted World of El Superbeasto.'

Doing voiceovers is so great because even though many people would think it's just your voice, you really do use all your physicality. I've done everything from playing a butterfly to Alice in Wonderland when she's 10 feet tall, so it allows you to be an actor and build new characters.

I'm a huge fan of 'Kung Fu Panda.' I honestly think that Jack Black's voice work in 'Kung Fu Panda' is the best voice work that's ever been done. He's so funny, and it's such an endearing character. It really is great.

When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.

In between that time, I've done book narrating, you know, books on tape for Dove Audio.

I love to do voiceover because, for me, if you know what you're doing, it's simple. No makeup, no costuming, none of the baloney. None of the egos - you don't have to deal with all that crap. I love voiceovers.

I'm trying everything. But voice work is the best thing you ever imagined. It's not about how you look, and you can go to work in your PJs.