Joey Soloway Quotes

I have always believed that facilitating good, unusual content should be one of my prerogatives as someone who has spent half his life in cinema.

I'm out there to produce the best content - The most creative content I can do and express myself through wrestling.

I just wrapped 'Eclipse' yesterday and the last scene we shot is probably my favorite thus far. I finally got to tell my story, in a very gentle yet elaborate way.

I was never interested in being powerful or famous. But once I got to film school and learned about movies, I just fell in love with it. I didn't care what kind of movies I made.

I would like to use stories as a springboard for children to make their own creative responses. I would like to encourage them to express themselves using music, art, film or whatever, and upload it to a website having been inspired by particular stories.

I want to make movies that I want to see, and what I miss and I'm not seeing.

Collider is a company that I formed with a movie producer, Alisa Tager, and we just wanted to create a place where writers could come and develop their ideas without a regard to limitations of form.

The ultimate thing is creating your own stuff and making projects for yourself. That's what Seth Rogen does. He's writing and producing a lot of the movies that he's the lead in.

Get out and make films. There are so many cameras now to suit any budget, so there are no excuses.

With directing, you always have three or four things constantly on the go. It's a tough industry and a tough time, particularly if you're doing things a little outside the box or independent features.

I'm looking to produce more stuff: TV shows, commercials, music videos and short films. I'm building my catalog so I can have some fun in between the times that I get to a movie.

See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.

I love doing features, but it's a very different ballgame. Sometimes I yearn for short films again, working with a small team, getting my hands on the clay.

The future of Arab films is absolutely up to Arabs and no one else. They've got the equipment, they've got the will, they've got the talent, now they just need a little bit of history behind them and a bit of cultural relaxation.

I don't want to make movies for kids, and I don't want to make movies for adults either.

I think being snobby about the kind of storytelling people do, it just irks me. It irks me. And in fact, it's one of the things that drives me to make as many horror movies as I do.

The most important thing when you do a movie is that you find an audience that really understands what you want to do and is really supportive of it.

I want to make stuff. I want to make movies and direct stuff and produce stuff and write stuff.

I want to get into producing and writing more for myself - setting up my own films and seeing what kind of personal touch I can put on movies, as opposed to just being in them.

I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.

I'm doing the kind of show that I would want to see.

I spent a whole 12 years helping other people tell their stories as a publicist, so just to be able to go and write and get behind the camera, that's my thing.

I'm always willing to help out when people have stories and they bring them to me. I also like the completely fun films like 'Patti Cake$.' My taste is, if it feels like it's something I'd like to see, then I'll get behind it.

I truly believe that cinema is a collaborative effort, and as long as I get to tell, and be part of, interesting stories and work with genuine people, I don't see any project as a 'risk.'

The essential nature of all filmed entertainment is that you area always straddling the line of whether or not you can realize something that you want to do.