Virgil Abloh Quotes

Many young people don't know what Versace represent. I want to show what makes Versace an iconic brand.

Sure, I'd like to be like the House of Chanel.

My favorite brand I have ever artistically collaborated, entertained, and supported over the years is the huge house that Coco Chanel built: Chanel.

Designer Marc Jacobs ended his sixteen-year tenure at Louis Vuitton with a spring 2014 collection that celebrated fashion in its purest and least complicated form - as majestic, superficial beauty.

For me, one of the biggest designers is Azzedine Alaia. Everything he is doing is fantastic.

Maybe the Burberry woman is undefinable! I think it's less about what she looks like and more about an attitude.

I love working with Chanel, and long may it reign, to be honest. I hope it lasts forever.

I would like Madewell jeans to be the Levi's of its generation.

You always need a textural landscape. I think that's what fashion is about, and I think when you come to a brand and you're trying to re-instill its history, the history only comes through being personal.

With a brand like Gucci, you have to give something that belongs to beautiful Italian culture in terms of craftsmanship and materials.

Gucci has great potential worldwide. Since it's inception in 1921, the brand has had a big visibility and many followers.

Great design is not democratic; it comes from great designers. If the standard is lousy, then develop another standard.

As long as I have fashion memories, Schiaparelli has been there.

I love the personality of Schiaparelli so much.

I think the cool thing about Gap is that it's just such a classic brand.

Chanel has always been this big thing for me - there are baby pictures of me wearing my mom's Chanel pumps.

When I'm acting, I'm just worried about that piece of the pie, contributing to the whole. But when you're directing, you... get the vision out of your head and on the stage.

A film, I feel, is a state of mind. A film eventually comes from an idea: based on an idea, you make a decision, and once you make the decision, you keep comparing everything to that, but don't question the decision itself.

I want to do sensible films.

Michael Bennett, Tommy Tune and Agnes de Mille fought to be director-choreographers. They were just not going to do it any other way because the choreographer is so often at the bottom of the creative totem pole when you put a show together. So with that power you get a more direct point-of-view and that helps something called style.

Every song that I compose has to satisfy the music director in me.

I'm still trying to keep it original, staying true to my sound.

I want to be like a Wendy Murdoch or a Georgina Chapman.

I really only put stuff out when I have something to say and I feel like I've got a direction and I've got an idea - and that can even take two, two-and-a-half years to flesh out.

Directors are the fulcrum of the movie. They guide us well, not merely rein actors in. Whenever we stray, they bring us back on track.