Kajol Quotes

I'm totally against the idea of a celebrity editor.

I don't think I have the pulling power of Jim Carrey.

When the game gets eyeballs in newspapers and on TV, that's what in the end is the goal for everyone.

Unfortunately, celebrity is a powerful thing. It can influence people, but if it can influence people in a good way, then that's a great thing.

I know who famous people are, so I listen to them.

For me, 'Diamond Necklace' is a commercial attempt, as it has songs and glamour.

When you have a name actor, with a face that people recognise and a name that can go on posters or billboards and be able to appear on the talkshow circuit and tout the film, that's always a plus.

Everybody wants a big crowd. You get amazed sometimes with certain things that millions of people are watching and you go, "Serious?! Really?!" And then, there are things that you really, really enjoy and not a lot of people are watching. It's very, very hard to predict how it works.

I think people really appreciate clever commercials, as do I. I think they're very entertaining. You just have to wade through all the garbage. That's one of the reasons people watch the Super Bowl. A lot of them watch it to see the commercials and not the actual game.

Either positive or negative comments are good because it shows I am still relevant.

I want my films to get audiences. I am not interested in making them just for myself.

The ad revenues still go up because nothing dependably delivers the eyeballs that successful series do.

If I want to knock a story off the front page, I just change my hairstyle.

I respect the rules of TV, the rules of keeping things commercial and interesting and pop-y and fun.

If someone does something in an entertainment/pop ambience, that person becomes someone who has an impact on the conduct and attitude of a huge number of people who peripherally come in contact with them.

A lot of people listen to Rush Limbaugh just because he's a great entertainer.

Market size, particularly when you're dealing with major media markets, has an impact in terms of gathering attention.

You want to work on something that people watch and that people like.

Somebody with a billion followers can tweet, 'See my movie,' and it can still tank. Followers don't always translate into success because I think people are too savvy. When something takes off, it's because people are connecting to it - not because someone with a lot of followers says to care about it.

Forty-five million people hit that button for 'In These Streets.' When you find out you have that kind of popularity, you better use it. It's called responsibility.

In sports, big names and celebrities drive events, and that's what people gravitate to.

If you pay close attention, you'll notice we continually hear about basically the same 150 celebrities.

To reach a mass audience, you have to offer more than just hostility.

I think people love to watch me on screen, not my acting talent.

Some people think big audiences are crass and that, say, a comedy that appeals to a wide audience is pandering. Other people would argue that you could say that about Moliere.