Eli Roth Quotes

It's a video release as well so I have to be perfectly honest and go, probably not specifically for DVD, but there are extra bits on it that aren't on anything else, so as exciting as that sounds.

STREET by 50 is all about giving our fans the finest music experience we possibly can. The response to the limited edition colors so far speaks for itself - the fans want the opportunity to match their headphones to their personal style, and we definitely want to make sure to give them what they want.

I don't think there will ever be a GG box set.

In the old days, you cut out a scene that might've been a really great scene, and no one was ever going to see it ever again. Now, with DVD, you can obviously... there's a lot of possibilities for scenes that are good scenes.

My company Independent Ideas worked with Gucci on a special edition Fiat 500.

Whenever you get a large body of work like 'Humans of New York,' a natural pathway becomes to put it between two covers. I wanted this to be a very nice keepsake. A lot of work went into it, and a lot of fans are attached to it.

For my own films, I would like to see 'Bullet in the Head' remastered. The original cut was actually almost three hours.

I have 'Purple Rain' on purple vinyl.

I love things like the Criterion Collection DVDs. I think those are really well done. I like how far you can push the deluxe-ness of things like that.

I'm not a big fan of the George Lucas school of meddling and tinkering. That's a slippery slope.

Hermes bags are the only bags that auction houses accept. Given that it's already valuable to begin with, making it into an even special one of-a-kind piece by painting on it can only increase its value.

The only art I have is a Polaroid from Peter Beard from his book. I shot with him four years ago, and he did a special Polaroid for me, so I consider it a piece of art.

It always surprises me when I see the director's versions of films released separately, long after the film's theatrical run.

If you didn't get it right and then you have to release a director's cut to undo what the studio made you release, I don't know, either it's some marketing thing for them to get more money or the director didn't do his job.

I never liked the extended cut personally because I like...we spend a lot of time figuring out our final cut. We test and test and test it, whatnot. Having said that, there's one sequence we're adding back into the movie for the extended cut that is pretty amazing that I think people are going to love.

Let every foot have its own shoe.

I like to customize things. I customized the back of old Lincoln to be my mobile office. I had one of those little laptop desks like in a police car, and I had a cooler in there, so that was my mobile office.

When we shot the first series of Aerobic Striptease, we shot five DVD's, so we slowly put out each DVD and timed it out that they were all done and shot and ready to go. We just started shooting the next series once we felt it was time to work on the next one.

We must suit the flattery to the mind and taste of the recipient. We do not put essences into hogsheads, nor porter into phials. Delicate minds may be disgusted by compliments that would please a grosser intellect; as some fine ladies who would be shocked at the idea of a dram will not refuse a liqueur.

Today, people no longer go out with a total look or ensemble taken straight from the runway. Customers mix and match between labels and between price points. The idea is to create something for yourself: what you want, and how you want it. I realize that shoppers want more flexibility and choice now.

Television in the 1960s & 70s had just as much dross and the programmes were a lot more tediously patronising than they are now. Memory truncates occasional gems into a glittering skein of brilliance. More television, more channels means more good television and, of course, more bad. The same equation applies to publishing, film and, I expect, sumo wrestling.

If Rupert Murdoch wants to charge for content online, he will succeed in so far, but no further than what he provides that is unique and can't be found anywhere. It doesn't seem to me that if he wants to charge it will be a blow to universal freedom and liberty of mankind.

My rule is, if it's not moving-monogram it!

I'd seen Elijah [Wood], when I was a little boy, in The Good Son. And then, I was a huge fan of The Lord of the Rings. It took awhile to get over that whole, "That's Elijah Wood - Frodo, from The Lord of the Rings." I was a mega fan of that. I went to the all-day screenings of the director's cut, where you could see the really long versions of all three movies, in one day.

If I'm over a song two weeks after I made it, I'm not going to put it out. It has to last months.