Bill Burr Quotes

I really understood a lot more about comedy after listening to Bill Hicks, who died at 32 years old. He's probably the best comedian who ever lived. Although you can't say that because of Carlin, Cosby and Pryor.

What makes me laugh is hearing the stuff about my son or the stuff about my mom. I was a big fan of Bill Cosby, Eddie Murphy; they talked a lot about their moms and their kids. Those are the things that inspired me to do stand-up.

I was in love with a lot of people, because I was a student of the game of comedy - Carol Burnett, Jack Benny, Red Skelton, Jackie Gleason, Don Rickles, Red Foxx, Moms Mabley - who gets no credit, Richard Pryor, Bill Cosby, George Kirby. I loved them all, and I used to just take a page out of all of them.

The earliest stand-up comedy I was aware of was Bill Cosby. I watched Saturday Night Live as soon as I was aware of it, and Monty Python used to be on PBS at weird hours, so I used to try to watch that. And I loved George Carlin on SNL, that was the first stand-up I ever really remember seeing on TV. And then Steve Martin. I guess I was in fifth or sixth grade when Steve Martin showed up, and he was instantly my idol. And Richard Pryor around the same time too, I sort of became aware of him, though I don't remember the first time I saw him.

I learned from the guys before me - Bill Cosby, Eddie Murphy, Chris Rock, Richard Pryor, just to name a few. These are guys that let it all hang out. What they lived is what they took to the stage.

I've always loved American stand-up. Richard Pryor is one of the main reasons I got into stand-up. After Pryor, I made my way through the other great American comics, then finally got into the British ones over here.

I used humor to avoid being picked on as a kid. Or I would try and make my parents laugh, so I wouldn't get in trouble. But as a kid, I would watch Flip Wilson and I would memorize his whole routine, listen to Bill Cosby's records constantly, Steve Martin, Carol Burnett, Lucille Ball. I just drank that stuff up and loved it.

I've always liked and appreciated storytellers like Garry Shandling and Bill Cosby - more long-form comedy. So starting in San Francisco, watching all these great comics - Patton Oswalt, Dave Chappelle - you get to see them a bunch, and you go, 'Wow, this is where I need to be.'

I love comedy and I would write things to myself as an exercise in writing. I didn't do well for years, and I quit. I started to break down why I was afraid and started to look at people I admired, like Richard Pryor, Eddie Murphy, Freddie Prinze, George Carlin and all.

Show me one guy or woman as funny as Rodney Dangerfield or as good as George Carlin, Richard Pryor, Bill Cosby, or Joan Rivers. There are a lot of good comics out there, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics.

At the end of the day, I want to be part of the same conversation as Chris Rock, Eddie Murphy, Dave Chappelle, Bill Cosby and Richard Pryor.

I grew up loving David Letterman and Pee-wee Herman, but as far as live performance comedy, all I knew were the Jerry Seinfeld-type comedians of the world, and that's what I thought live performance comedy was all about.

I grew up on Jerry Lewis and Abbot and Costello, the Marx Brothers.

Dad had a music store, and he'd often bring home comedy albums that I would listen to. I started listening to Bob Newhart and Bill Cosby, and developing taste. They really influenced my style of comedy.

It went from Bob Newhart to Flip Wilson to Bill Cosby to Richard Pryor to George Carlin to Cheech and Chong. I had all these records.

I wasn't one of those kids who stole Richard Pryor records. I wasn't a comedy-nerd kid. I had no concept of stand-up. Actually, the only inkling of stand-up I had was I read one of Paul Reiser's books when I was, like, 12. I found it at a yard sale, and I carried it around with me for six years.

I worked with so many comedians who became big names - so many, I can't even remember some of their names. John Byner, Totie Fields, Joan Rivers. Shecky Green at the MGM. When I started my career, my first hotel in Las Vegas was at the old Flamingo. My opening act was Bill Cosby.

People ask me about my influences and I say all the comedians in the 1970s and Dave Allen was a massive influence and a very big influence on a lot of modern comics.

My inspiration to do comedy came from many places. Saturday mornings, I would watch Bob Hope and Jerry Lewis movies. I later got into watching stand-ups like Eddie Murphy, who was my main inspiration.

I remember being captivated by Steve Coogan and Eddie Izzard and wanting to do what they did. That generation of comedians was my main influence.

I know comedians who go on weird day trips in order to have random experiences they can talk about. They'll go on their own to Thorpe Park waiting for something hilarious to happen. That's really sad.

I'm not a natural comedian, as an artist. I studied comedy growing up. I would watch Richard Pryor, Eddie Murphy and Martin Lawrence, all day.

Both my parents recognized early on that I wanted to do something in comedy, and they were really supportive. They're the ones who bought me Steve Martin records and let me watch R-rated comedies long before they probably should have.

George Carlin is an influence on a generation. He made me want to do comedy.

The only thing I knew in the world as a little kid was comedy. And no other kids in my school cared about it at all. There was no one to talk about it with. You know, we're in a geek culture now where comedy is so giant. I'm one of the people that, you know, works on Funny or Die. And there is just a giant culture of comedy nerds. But back then, I was alone, and I had a little confidence about it because I felt like, this is my thing, this is the only thing that only I know about.