Lee Mack Quotes

When I was younger, I listened to the greats: Winters, Mel and Carl, Nichols and May, Pryor, Carlin, Klein, Berman and lots of Lenny Bruce albums. But once I started doing fairly well, I didn't want to hear anybody's jokes or premises.

People ask me about my influences and I say all the comedians in the 1970s and Dave Allen was a massive influence and a very big influence on a lot of modern comics.

I think I probably would have gone into stand-up.

I have always wanted to do comedy.

I've always liked and appreciated storytellers like Garry Shandling and Bill Cosby - more long-form comedy. So starting in San Francisco, watching all these great comics - Patton Oswalt, Dave Chappelle - you get to see them a bunch, and you go, 'Wow, this is where I need to be.'

So many of these comics are just frustrated singers or actors - they want to get a gig doing a sitcom. It's paint-by-the-numbers comedy, lame joke-telling. They're drawn to it as a career move.

I will always do stand-up, even if my acting career takes off. Stand-up is my life.

I always was trying to make people laugh as a kid. I was a big fan of Carol Burnett and Gilda Radner. I watched them and I remember feeling as a child, when I heard the laughter they got, a little jealous that they made someone laugh like that.

I knew at an early age that I wanted to pursue comedy.

I've always loved American stand-up. Richard Pryor is one of the main reasons I got into stand-up. After Pryor, I made my way through the other great American comics, then finally got into the British ones over here.

I don't want a chat show or to be on telly every day, as that's not my business; my business is standing in front of people and making them laugh, and I want to see how far I can get with that.

I'm in awe of comedians that do things that I can't do, whether it be a one-liner comic like Anthony Jeselnik, whether it be social issues commentary, whether it be - hell, Carrot Top. I can't be Carrot Top. I can't.

I love comedy and I would write things to myself as an exercise in writing. I didn't do well for years, and I quit. I started to break down why I was afraid and started to look at people I admired, like Richard Pryor, Eddie Murphy, Freddie Prinze, George Carlin and all.

I got into comedy so I could stay out all night.

I'm probably more of a stand-up comedian than an actor.

One of my greatest inspirations for stand-up was Jonathan Winters. He was a genius. One thing about him, and also Lenny Bruce, is that they were in the tradition of the one-man show. That's why Richard Pryor was so great, and George Carlin, too. They prowled the stage, they used voices, they were really talents.

I've been doing stand-up since '89.

I spent 25 years as a stand-up comedian.

But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.

When I started, there was no comedy community, no comedy industry; there were comedians.

I grew up loving David Letterman and Pee-wee Herman, but as far as live performance comedy, all I knew were the Jerry Seinfeld-type comedians of the world, and that's what I thought live performance comedy was all about.

I adore doing comedy, I think it's fantastic. I never saw myself doing exclusively comedy.

The reason I do what I do is because I was influenced by Steve Martin, by Woody Allen, by Bob Newhart, by Carol Burnett, by Lucille Ball.

I had fun doing a lot of low-budget movies and web series. And I got back into stand-up where I started.

I had no desire to be a stand-up comic until I decided to do it.