Younger Audience Quotes

We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.

I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.

I think the Web is, you know, things like YouTube and stuff are absolutely where a lot of younger people are watching their TV on iTunes in the Web and YouTube, whatever. So, I think it's an important place to have a presence.

There's a generation of children who don't like black and white movies. There's a level of impatience or intolerance now.

I've always thought that jazz needs to be heard by a wider audience in Puerto Rico. I want to put together a series of free concerts in the small towns - one with Miles Davis music, another with bebop, maybe Duke Ellington. I want younger people to see what is possible.

Especially in entertainment geared toward young people, the women are much stronger than they used to be. There's not really the damsel in distress anymore. I think the stereotype still possibly lives in different genre pictures but, in entertainment for the younger generation, they're used to women being equal and being strong. I think if you don't portray that, it would be kind of weird.

I am continually pleasantly surprised by how many people are showing up at shows and are younger than our first record.

The videos have given us a younger audience. You know, our audience grew up with us until the videos, and they were beginning to get a little long in the tooth. Then the videos came along, and now we've recaptured the 16-year-old girls. The 16-year-old girls!

Around 2009, my audience started getting a lot more mainstream - younger people, R&B and hip-hop fans mixed in with the jazz audience.

I'm delighted there's a younger audience discovering James Herriot.

I knew 'Bad Girls' attracts a younger audience, and it's vital to get oneself known to that audience because, unless they watch me in re-runs on 'U.K. Gold,' they won't know me from a hole in the ground.

I've been criticised for writing in too complex a manner for younger people.

I try to write stories that will attract younger readers and make them feel part of a wider readership. I do not feel able to write books that are about, or even for, teenagers; and I am inclined to be suspicious of books which 'target' them.

If you look at the success of snowboarding in the Winter Games and how that's brought a more youthful edge to the Olympics in general, they don't have that with the Summer Games. They don't have anything that's drawing in a younger viewership.

What's interesting to me is how many vampire/urban fantasy authors are writing young adult series as well, often set in the same world as their adult books, but focused on a younger audience.

The thing with playing live is, most of the audience is in their 20s and 30s. If you're older than that, you don't tend to go out to shows anymore. So it's good if you can attract a younger audience because they've got the energy to get up off the sofa and go out.

'Legacies' is its own show, and it takes on a younger twist to the supernatural world.

It is very common with artists who are of a generation that has already gone by to get overly concerned with, Oh my God I have to sell to the younger generation.

There's a generation that doesn't care if Tom Cruise is at the top of the movie. They want authenticity.

You look out in our audiences, you don't see a sea of white-haired people. You see a lot of younger people.

'Warm Bodies' - I was contractually obligated to deliver a PG-13 movie. But, like, I wanted it to be PG-13 because it's for younger people, and I don't want them not to be able to see it. I mean, you have to kind of think about the marketplace as well.

Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.

I don't think today's younger audience... would even know what 1920s musicals were like.

I've noticed more people coming to shows and I've had a feeling that they were from a part of the culture I haven't been able to get to before, younger people. I think on iTunes they've been experimenting with my songs and the digital radio world has been very kind to me.

When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.