Isaac Hanson Quotes

All of the sudden the audiences started getting younger and the spread of the attendance was really wide. I think it's as a result of the records selling more that they started following our careers.

Although I do feel that with a show like ours we ourselves are getting a lot more young listeners at concerts.

We've been lucky because quite a few young people keep coming to see us play. We couldn't tour as much as we do if we could only count on the baby boomers.

I don't know, I think the crowds are even more responsive now because the audiences are skewing younger.

When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.

D.C. is one my largest audiences. They buy tons of records of mine in Washington, D.C.

I've noticed more people coming to shows and I've had a feeling that they were from a part of the culture I haven't been able to get to before, younger people. I think on iTunes they've been experimenting with my songs and the digital radio world has been very kind to me.

Every generation of rock musician will understand that we wouldn't be anywhere without the support of teenagers buying the records.

Led Zeppelin isn't done yet, quite clearly, because every year since 1968 there's been new fans.

Obviously, it's great to know that your music is being listened to.

Pop concerts create an audience for Pops concerts, not an audience for classical symphonic concerts.

The States still has the best audiences by far.

But I also think it's up to the fan base to call in the radio stations and demand that the more mature artists be played as well.

I have hundreds and hundreds of people from Brazil, Chile, Columbia and Argentina, every day, buying my music and telling me about it online.

I know that bands that haven't put out a record for 10 years are playing to 20,000 people a night. But that's not the achievement.

I'm concerned with trend. I don't know where jazz fans will come from 20 years from now.

What turns me on is to walk into a sold-out venue. The audiences are so much the same as they were in the '60s. It's just an amazing thing. I can't explain it, but I hope it never stops.

A lot of my fans are people who have grown up and don't have as much time to listen to the radio, but still want to keep up with what's popular. A lot of shows don't talk to them anymore, but I do.

I've been around for such a long time. My first hit record was over 20 years ago and the people who bought my records then are married now and they probably still play these records and their children like them.

I've grown up with my audience; they're my age or older. Not a lot of kids are coming to see me.

The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.

It seems like the older bands are bigger than ever. We get a mixed crowd where you have kids and old blokes like me.

It's interesting, as I said on the last tour in America, the audience actually came out, they had to have been the kind of fans who listened to my music via their parents, you know what I mean?

The fan support throughout the years, and the new generation, has made Zeppelin larger than life.

The videos have given us a younger audience. You know, our audience grew up with us until the videos, and they were beginning to get a little long in the tooth. Then the videos came along, and now we've recaptured the 16-year-old girls. The 16-year-old girls!