Spatial Perception Quotes

If you look at a shape like a straight line, what's remarkable is that if you look at a straight line from close by, from far away, it is the same; it is a straight line.

My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.

I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.

The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as a solid mass.

Architecture arouses sentiments in man. The architect's task therefore, is to make those sentiments more precise.

I have a reoccurring dream that I'm in the ocean in New Zealand and everything is completely upside down, because it's on the other side of the planet.

The first effect of looking at a good photograph through the stereoscope is a surprise such as no painting ever produced. The mind feels its way into the very depths of the picture. The scraggy branches of a tree in the foreground run out at us as if they would scratch our eyes out

Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.

Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread

The sense of space within the reality of any building is a new concept wherever architecture is concerned. But it is essential ancient principle just the same and is not only necessary now but implied by the ideal of democracy itself.

Sense of place is the sixth sense, an internal compass and map made by memory and spatial perception together.

I want to abolish time, especially in the contemplation of architecture.

Switzerland would me a mighty big place if it were ironed flat.

Woods are not like other spaces. To begin with, they are cubic. Their trees surround you, loom over you, press in from all sides. Woods choke off views & leave you muddled & without bearings. They make you feel small & confused & vulnerable, like a small child lost in a crowd of strange legs. Stand in a desert or prairie & you know you are in a big space. Stand in the woods and you only sense it. They are vast, featureless nowhere. And they are alive.

The longer a line, the more of the time element it contains. Distance is time whereas a surface is apprehended more in terms of the moment.

For when a ship is floating calmly along, the sailors see its motion mirrored in everything outside, while on the other hand they suppose that they are stationary, together with everything on board. In the same way, the motion of the earth can unquestionably produce the impression that the entire universe is rotating.

The relationship between man and space is none other than dwelling, strictly thought and spoken.

Space and time are "sensed" not seen. They are created in consciousness which is spaceless and timeless.

The arc of my mind has an equal swing in all directions. I should say the same of your mind if I thought you would believe it. But we are so saturated with the notion that Time is a dimension accessible from one direction only, that you will at first probably be shocked by my saying that I can see truly as far in front of me as I can see exactly behind me.

Although its light is wide and great, the Moon is reflected in a puddle one inch wide. The whole Moon and the entire sky is reflected in one dew drop on the grass.

Maybe when we were shooting in the school, I was feeling more like it. Every time I go back to a school for work, I always feel so huge. Everything seems so little. The lockers seem smaller than I remember and the length of the hallways seem shorter when you're a kid.

I've always had a great feel for space and how objects occupy it.

My senses of space, of distance, and of direction entirely vanished. When I looked for the ground I sometimes looked down, sometimes up, sometimes left, sometimes right. I thought I was very high up when I would suddenly be thown to earth in a near vertical spin. I thought I was very low to the ground and I was pulled up to 3,000 feet in two minutes by the 500-horsepower motor. It danced, it pushed, it tossed. . . . Ah! la la!

Interstate highways dull the reality of place and distance almost as effectively as jetliners do: I loathe their scary monotony.