For a woman to be able to dominate and also be feminine and soft, that's a talent. And its not all about appearance. A woman who has a brain, who is street-smart and book-smart, that woman is very, very sexy to me.
Of course God is endlessly multi-dimensional so every religion that exists on earth represents some face, some side of God.
I just feel like I'm a basketball player. I don't really have a position. I can play inside. I can play out. So whatever a team needs, I think I got it.
Every character, when it comes to a cinematic representation, gets complicated and layered. You are given a lot of dimensions than a single dimension to an individual. That's the main difference between seeing something out of the window and seeing something on screen.
Understand: any phenomenon in the world is by nature complex. The people you deal with are equally complex. Any action sets off a limitless chain of reactions. It is never so simple as A leads to B. B will lead to C, D and beyond.
I feel like I'm a very athletic back, and I'm capable of doing more than one thing.
Everyone on the planet has a dark and a light. That's a multi-dimensional character.
The more complicated the character, the better I am. It's the one-dimensional crap that I had to do for years that drove me crazy.
I can play in any offense and play off any player.
It is very rare or almost impossible that an event can be negative from all points of view.
Everybody thinks if you do one thing, you can't do something else. So I like the fact that I can be versatile if I want to.
The more positions you can play, the more ways you can help the team.
I'm not that interested in someone that one-dimensional, but I'm interested in playing somebody that's more complicated.
Mourning Ruby is not a flat landscape: it is more like a box with pictures painted on every face. And each face is also a door which opens, I hope, to take the reader deep into the book.
My art has always been in response to visions. Rather than confine my subject to representations of the outer worlds, I include portrayals of the multi-dimensional imaginal realms that pull us toward consciousness evolution.
I really don't look at myself as a defensive end or a linebacker or a cornerback or a safety. I don't try to limit myself to just rushing the passer or dropping back in coverage or being a run-stopper; I try to be great at football.
I think people are intelligent, empathetic, multi-dimensional.
I like to think I'm multi-faceted. Actually, my favorite roles are roles like in 'Far from Heaven.' Y'know. Soft people. Loving people.
Fiction is too beautiful to be about just one thing. It should be about everything.
I totally respond to complex characters, and I'm not interested in anything too simple.
The arc of my mind has an equal swing in all directions. I should say the same of your mind if I thought you would believe it. But we are so saturated with the notion that Time is a dimension accessible from one direction only, that you will at first probably be shocked by my saying that I can see truly as far in front of me as I can see exactly behind me.
I got tired all of the stories about, 'He is a tweener. He doesn't have a position.' I knew I could play. I played hard. I played both ends of the court. I know what I could do.
I'm interested in characters that are complex people.
If you want to get into the shoes of someone, it's not just about seeing and hearing. It is also about what you touch and what you smell. Smell is so specific and so powerful. And this is the beauty of immersive theatre - it's something you cannot get in any other art form. I think this is the real future for theatre.
I think what's important, as an artist who wants to be multi-dimensional, is learning how to shape-shift into those different paths fluidly and frequently.
