When I grow up, I want to have an exhibit called 'American Motel.'
I live in an apartment building built in 1925, and it hasn't been heavily renovated, so I feel very much connected to that time and what went on in that place.
My style is boho chic. I love that time period - the patterns, the prints, the people, the music, the vibe.
Signing up for 'It Follows,' I didn't have any idea it was going to turn out the way it did, but seeing it, the music and the feel of it definitely was pretty amazing, getting that kind of throwback feel to classic horror movies.
50s cheesecake meets Eskimo fake fur.
I guess personally I really like "Take on Me" by Aha. I think it just defines the 80s and how insane it was and like neon and like calculator watches and that whole thing.
I like very girly, retro inspired, feminine, floral things. I'm not very edgy.
People look to me to see what the spirit of the Seventies is.
My personal style is a mixture of, like, girly, throwback, like retro '50s pin-ups, floral, like hippies, like anything feminine, and like flirty.
I'm so fond of abstract design in the style of Vanderbilt and David Hicks and that whole 1970s era. They took the 1930s and gave it a bit of technicolour.
I definitely was in the sequined, bedazzled era. We would put blue eye shadow up our eyebrows and glitter all over our faces. I probably put more effort into my skating outfits than my clothes.
Like now what Urban Outfitters has become is very much how I always dressed in high school by going to garage sales and getting stuff for 50 cents. Cost a little more now, to look like crap.
I like that 'Mad Men' is now an adjective I use to describe clothing when I'm shopping: 'I like this top. It's very 'Mad Men.'
Eh. Hipster's not really a thing anymore. Plus, hipster or out of touch old dude? Same uniform really.
I look up to Marilyn Monroe and Audrey Hepburn and old styles. You will never see me in a crop top and hot pants - I'm more into dresses.
Maybe I was just born in the wrong era, man. I'm a bit of a throwback to the days of black and white movies. Those guys back then, they had a certain kind of directness about them. A lot of the screenplays, the plots were very simplistic - they gave rise to a type of anti-hero that maybe I suit better.
It annoys me when contemporary films and television shows create artificial tensions that could easily be resolved by a quick email or the use of a search engine. 'La La Land' was guilty of this several times, as well as a more generalised aesthetic nostalgia.
We wanted the book [Paper Girls] to feel to evoke the '80s, but not necessarily feel that it was drawn then.
Women in the 1950s were so much sexier. That's what I aspire to look like.
It would be great to make a movie that had the style of a great '30's film.
I get nonplussed by all the Fifties retro-revival aesthetic. Would we really want to be in our pinnies in our kitchen weeping? I find the kitchen, housewifey aesthetic repugnant.
I think part of what made the original 'Sufferfest' charming was the extremely low production value. It was all shaky handheld footage from Cedar.
My style is like, if I were to time travel to the '80s or '90s, I would fit in, but they would be like, 'Something's off about her.'
I love how most people in 'Sixteen Candles' don't actually look their age. It adds to the movie's funky and low-budget vibe.
I hated the '80s for years, and now I look back and think, actually, there was something really cool about it.
