Performance Fatigue Quotes

When you're doing 22 shows on network television, the writers are going on vapors towards the end and, as an actor, you're just trashed by the end.

Although he loved performing live, and was great at it - Jeff was as solid on stage, as he was in the studio - performing for two hours at a stretch really took a physical toll. It was very hard on him.

Retire? Not on your life. I have no plans to stop singing. What are you going to do when you love music? It's a terrible disease. You can't stop. Of course, I'd like to get off the road.

It's very hard to tour.

It's work to play the same songs the same way for 70 shows.

If we carry on filling up the calendar, we keep on pushing the athlete, we shorten the athletes longevity. The risk is to shorten a career that could have lasted 10 years because the athlete is burnt out.

The first time I toured with the 'Large Band' in 1988, I got so tired. If I just stood still anywhere, I could go to sleep. I was that tired. But I had to perform. And I did, and after that tour, I was much less fretful about going out onstage.

Sometimes fake laughing is hard once you've done a scene 18 times. I don't want to brag, but I have a reputation for being very, very good at that. It's funny finding what's challenging about acting as you go.

Nine Inch Nails is like building an army to go conquer. We build it, then we play, and we have to play so much to validate building it, financially. It leads to getting burn-out because a tour that would be fun if it lasted three weeks has to last 15 weeks.

Writing is a grueling process for us, and once we finish an album, we go on tour for a couple of years. Plus, we're always very involved in our own business, so we need a break when we come back.

I stopped performing because I don't have the temperament of a performer. You have to want to do the same thing over and over again. Once I got it right, I didn't want to do it again. I always use the analogy of a novelist who has to read his novel in public night after night. I just didn't want to do it.

There are all sorts of reasons why I don't do much work in the theatre, the main one being that after two performances I feel I've given all I can. I hate repetition, I really do. It's like asking a painter to paint he same picture every day of his life.

I stand on stage hoping to give good energy to the audience, but if I cannot give good energy anymore, I will have to leave right away.

Also, from a technical point of view, as you're standing in front of a microphone all day, it's quite a good idea that I should play a laid back sort of character because if he was too frenetic, I'd be exhausted by lunch!

I had fans, and the industry and everybody saying, 'Keep the Righteous Brothers going; keep the music alive,' and I really didn't want to do that. I had sung with a couple of guys who would supposedly be really good Bobby Hatfields, and I thought, 'Oh geez, it's really anti-climatic.'

I really enjoy recording right after a tour. We're tired, but the songs are really lived in by then.

The tour life definitely puts strains on your body, not just because of the dancing but because of the fact that you are traveling into the wee hours of the day, getting up early, going to sound check - just the grueling process of it all.

We plan tours months in advance, and you leave a few days off here and there where you feel you'll be tired after some shows, but if other opportunities keep coming in, those days get swallowed very quickly, and it's an impossibility to get this stuff right.

I'm living on coffee, cigarettes and hospitality food. My bags and things are all over this hotel room in Dallas, but the scene could easily be in London, Paris, New York of LA. My eyes are burning, my knees hurt and I hate to say it, but a certain and vital part of my nether region is beginning to smell like peanut butter. Welcome to life on tour.

Everybody is pretty good in the first quarter. Second quarter, you have a little bump or two on you coming into the half. By the time the third quarter comes around, you're tired, you're laboring. When you come to the fourth quarter, it calls on your character.

I lost my voice for the first time. I was so bummed out, but it happens to every singer at some point in their career. I don't think most people understand, but I sing every night and sometimes we do five shows in a row, which is really bad for your voice.

The four of us couldn't have made a record with the time left over when we were shooting the show. We were on stage from 7.30 in the morning 'til 7 at night. Later on, when there was a break from filming, and we were sick of doing it the old way.

Playing live, you can't survive, certainly not in England. We used to work daytime jobs and play gigs at night. It was very exhausting.

Doing eight shows a week is hard.

I used to get so carried away while I was on stage that I'd be physically damaged by the end of a concert.