COREY TAYLOR

I'm kind of lucky in the fact that I can take something that's in my head and write it down, or I can listen to a piece of music that somebody else has written and try to tap into what the music's saying and just kind of follow that, you know. I mean, nine times out of 10, I'm just kind of following where the music takes me.

I love the fact that people can relate to what I'm saying, even if it's not for the same subject I was writing about. That is the power of real music and real expression.

I have ideas every day, and if I'm not carrying a pad of paper, I'm typing it into the notes thing on my iPhone, and it's just ridiculous - idle hands are the devil's plaything, and I can't be the devil's plaything. I got to be the devil; I got to be the guy making it all happen.

I'm a Gibson guy. I play anything from Hummingbirds to J200s.

I have that love for music, when you are finding either old gems that you never heard or newer stuff that perks your ear. It keeps you trying to look for new stuff to write about it. You don't spin your wheels. I take that same approach to music and books.

My biggest influences were 1980s punk and metal. Metallica were my biggest influence because they were good at everything - riffs, energy - but with such an ear for melody, it was hard not to get pulled into it and become a fanatic.

A song is only as strong as its foundation, and when it comes so naturally in any setting, those are the songs that will hopefully outlive you, maybe even outlive the next generation of You.

I was a Marvel kid, and I would have to say that Spiderman is my all-time favorite character. As I got older, my tastes developed a little bit more, and I would follow certain writers; like, I really got into Grant Morrison. From the time I was 5, I was into comic books. From the time I learned how to read, it was all about comic books.

As a writer, as a lyricist, you're just trying to make sure that you're not repeating yourself. And that's a danger for a lot of people. So for me, I just try to keep taking corners and trying to find new paths.

With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.

The Rock and Roll Hall of Fame is a joke - the fact that Madonna is in before Rush and Kiss. Those two bands have influenced so many groups and people other than in metal.

There's such a huge difference between a great arrangement of riffs and a song. Sometimes the two can be the same. But the difference is a song doesn't necessarily need a riff, whereas a riff doesn't necessarily mean you've got a good song on your hands.

Playing live is a lost art, and you don't see a lot of bands that go out and play the way the older bands do. It's a celebration, and a lot of people treat it like a commercial or a distraction.

Everyone knows Spiderman is my favorite superhero of all time. My favorite supervillain? George W. Bush.

So many people in the world would rather stay in a situation that's painful but familiar because they're comfortable with it. Not a lot of people have the strength or heart to realize when something's not good for them and to turn around and be alone.

I'm the guy that gets up at three in the morning to jot down an entire sheet of lyrics for something that won't be recorded for six months. You have to get it down when you can, because thoughts are fluid.

I have a really good idea for a novel and would like to just kind of try my hand at fiction. I'm starting to kind of get a really good body of work going from a literary standpoint. As long as the audience is there, man, I'll keep cranking them out.

If you want to be taken seriously, always check your fly.

People can talk about punk all they want, but after new wave put that down, metal is the voice of the disenfranchised and that need to become unhinged. That's why it appeals to so many people when they are younger and carries over when those people, at 40, don't want to grow up.

I'm not gonna do the same, tired, standard 'I was born in a log cabin...' kind of book. There's so much more I want to do.

I'm a very lucky guy. I get to write music that I love, and lo and behold, people seem to really like it. I know how fortunate I am.

I am the kind of guy who has never taken myself too seriously. I mean, I am very serious about what I do; I'm very serious about the creative process and everything, but at the end of the day, I am just another lucky geek who got to live out a dream, you know?

I've still got the same friends that I grew up with, I still go to the same places that I used to go to when I was younger, and it's just a very special place to me. I'm still very proud to call Iowa home.

There's nothing wrong with the screaming style of singing, and I'll be the first to admit that it conveys an emotion. But I'm getting older, and I can't scream and shout about the same things anymore. The songs I'm writing with Stone Sour call for a lighter, different approach.

The biggest difference between me and other artists out there is that they'll put anything out to sell a record or sell a ticket.