Every time I make a movie I have too many characters and too many locations.
I don't have one geographic location that I'm exclusively loyal to.
I went through so many phases because I moved schools a lot. I grew up primarily in Connecticut, but also here in L.A. for five years.
You can be in London at 10 o'clock and in New York at 10 o'clock. I have never found another way of being in two places at once.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
My main residence is Baltimore. I have an apartment in New York, one in San Francisco, and I live in a rental in Provincetown in the summer.
My oldest daughter got married, she had a wedding in Hawaii and a reception in Nashville, and in between I had a Cup date in Dauphin, Manitoba.
I got cribs all over the place and offices all over the place, and sometimes I lose track of my stuff.
Sometimes I'm working at the training ground, sometimes at my home.
I'd have to be superman to do some of the things I'm supposed to have done, I've been at six different places at six different times.
I quite like Pilates now. I have a Pilates girl in every city.
It was like two different photographers, and shot in three different locations and it was really fun to do. There were 12 beautiful girls in it. It was great.
I own a home in Sweden, I rent in both Los Angeles and in Britain, and I'm constantly travelling.
Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
I have a few homes. I have my family home in Adelaide where my parents and my brothers and sisters are, and I have a few friends and my place where I used to live in Sydney, and then my husband and our family in London, so... I'm from everywhere and nowhere.
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.
I need to be working with the art world in N.Y.C. as much as I need to be working in my studios in Chicago and rural Wisconsin.
There's a mass of places, really, where the idea started.
What's so great with 'Game of Thrones' is that there are so many characters and they're so many locations and that it's just very inspiring.
I'd love to be able to multiply because then I could be in lots of different places at once.
What I'm trying to do is to use my hologram at the same time in multiple locations, so I can be in front of thousands of people without leaving my office.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
If she’s so important, why aren’t you here guarding her? (Wulf) Mostly because this ain’t Buffy and there’s not one single Hellmouth to guard. I’m up to my armpits in Armageddon down here in New Orleans and not even I can physically be in two places at once. (Acheron)
It's tough to say where I live. There are some bills that get to the house in L.A., some to the house in Mexico, and some to the house of my father - so I never lose track of those.
I did five movies in Australia, I did three films in Germany, this is the fourth film I've done here in the UK, I've done a bunch of films in Canada.
