Interactive Environment Quotes

A living museum must surely see itself as a locus of argument. A breathing art institution is not a lockup but a moveable feast.

In virtual reality, it's more about capturing and creating worlds that people are inhabiting. You really are a creator in the way the audience lives within the world that you are building.

Virtual reality, to me, seems to have a number of different tiers. Entry-level-tier VR is this experience: on a phone, some simple head-tracking, and some quick and dirty, game-engine-quality stuff.

There's about 260 rooms in the new castle which you go through, but it's all about the game play.

The great thing about computer animation is that all of those environments exist as three-dimensional worlds, so these VR worlds already exist.

No one else can match the environment we're creating for expanding the game experience to everyone. Our path is not linear, but dynamic.

The school must be "a genuine form of active community life, instead of a place set apart in which to learn lessons".

VR has a whole range of things it's very good at, and there's a lot of things that it's going to be deficient at.

VR is so immersive, and when it works, it draws you into the story in a way that is truly unique and powerful.

There's three things that you need for virtual reality to work. You need the hardware that's affordable and doesn't make people sick, you need an audience that is willing to pay for it, and you need the content.

For us, it's about having the game react to the player as much as possible. There's ways you can do that with technology, graphics, AI - we're doing some VR stuff right now - and so it's what we think is great about not just our games, but what's great about video games - how are they better than any other form of entertainment?

That's what we're all about: delivering a really comfortable VR experience that everybody can enjoy and afford.

Digital makes things feel more real, like you could reach out and touch them.

Video games lend themselves completely to 3-D.

Virtual reality is already affecting people on an emotional level much more than any other media, and it has the potential to scale: all you need is an attachment for your cellphone, and you can have this experience.

Tonally, the stuff I want to do in VR will, of course, always have a comedic backbone and be a bit absurdist and colorful with really interesting and bizarre characters but supported by really strong gameplay mechanics.

I feel in love with holography, which is that you don't have to wear anything or carry anything. It is augmented reality, if you will.

I'm trying to manufacture a sleepover feel; like a tree house or a clubhouse. I want people to be silly and play and feel safe and some people, you have to coax them into that space and some people bring me further into that space, even past the point that I wanted to go.

Being in a video game just feels so cool.

A lot of people, even if they know what VR is, see it as this tool to go in your basement and play Halo.

Players are artists who create their own reality within the game.

We really focus on being a platform for immersive 3D avatar experiences. Experiences that are heavily social.

The sheer genius of talk radio and Townhall.com is that the environment is so interactive.

You can't emulate a game until you're in a game.

I like to have people around and an environment with constant feedback on what I'm doing.